10/27/2004

Re/Search #6/7: Industrial Culture Handbook


The Industrial Culture Handbook is simply a reference guide to the philosophy and interests of a flexible alliance of the following deviant international artists: Throbbing Gristle, Cabaret Voltaire, SPK, Z'ev, Non, Monte Cazazza, Mark Pauline, Sordide Sentimental, Johanna Went, and R&N. Most of these artists have been working creatively a decade or longer, in varying degrees of obscurity. The impetus in common is rebellion.

By "industrial" we mean the grim side of post-Industrial Revolution society-the repressed mythology, history, science, technology and psychopathology. By "culture" we mean the books, films, magazines, records, etc which have been plucked out of the available information overload as relevant and important.

There is no strict unifying aesthetic, except that all things gross, atrocious, horrific, demented, and unjust are examined with black-humor eyes. Nothing is (or ever again will be) sacred, except a commitment to the realization of the individual imagination. These are not gallery or salon artists struggling to get to where the money is: these are artists in spite of art. There is no standard or value left unchallenged.

The values, standards, and content that remain are of a perversely anarchic nature, grounded in a post-holocaust mortality. Swept away are false politeness, etiquette, preoccupation with texture and form-all the niceties associated with several generations of art about other art. Starting on a realigned foundation of "black" history, "black" science and the "black arts," these artists have presented their visions reflecting the world as they see it, not the official realities. The problems of morality and critical evaluation are left to the eye of the beholder, and to history-what remains of it . . .

All art has as its source dreams, the unconscious, and the imagination. And in dreams as in the imagination as in art-nothing is forbidden, everything is permitted.
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

~Excerpted from Re/Search #6/7: Industrial Culture Handbook, by V. Vale and Andrea Juno �

10/26/2004

Industrial Records Label: Official Discography

IR DISCOGRAPHY:

IR0002 THROBBING GRISTLE, "2ND ANNUAL REPORT" 1977 (LP)
IR0003 THROBBING GRISTLE, "UNITED"/"ZYKLON B ZOMBIE" 1978 (7")
IR0004 THROBBING GRISTLE, "D.O.A. THE THIRD AND FINAL REPORT" 1978 (LP)
IR0005 MONTE CAZAZZA, "TO MOM ON MOTHER'S DAY"/"CANDY MAN" 1979 (7")
IR0006 THE LEATHER NUN, "SLOW DEATH" EP 1979 (7")
IR0007 THOMAS LEER AND ROBERT RENTAL, "THE BRIDGE" 1979 (LP)
IR0008 THROBBING GRISTLE, "20 JAZZ FUNK GREATS" 1979 (LP)
IR0009 THROBBING GRISTLE, "HEATHEN EARTH: THE LIVE SOUND OF TG" 1980 (LP)
IR0010 MONTE CAZAZZA, "SOMETHING FOR NOBODY" EP 1980 (7")
IR0011 SURGICAL PENIS KLINIK, "MEAT PROCESSING SECTION" 1980 (7")
IR0012 ELISABETH WELCH, "STORMY WEATHER"/"YOU'RE BLAS�" 1980 (7")
IR0013 THROBBING GRISTLE, "SUBHUMAN"/"SOMETHING CAME OVER ME" 1980 (7")
IR0014 DOROTHY, "I CONFESS"/"SOFTNESS" 1980 (7")
IR0015 THROBBING GRISTLE, "ADRENALIN"/"DISTANT DREAMS (PART TWO) 1980 (7")
IR0016 WILLIAM BURROUGHS, "NOTHING HERE NOW BUT THE RECORDINGS" 1981 (LP)

IRC00 THROBBING GRISTLE, "BEST OF....VOLUME I" 1976
IRC01 THROBBING GRISTLE, "BEST OF....VOLUME II" 1976
IRC02 THROBBING GRISTLE, "I.C.A., LONDON" 1976
IRC03 THROBBING GRISTLE, "WINCHESTER/AIR GALLERY" 1976
IRC04 THROBBING GRISTLE, "NAGS HEAD, HIGH WYCOMBE" 1977
IRC05 THROBBING GRISTLE, "BURLINGTON POLYTECHNIC" 1977
IRC06 THROBBING GRISTLE, "NUFFIELD THEATRE, SOUTHAMPTON" 1977
IRC07 THROBBING GRISTLE, "RAT CLUB, PINDAR, LONDON" 1977
IRC08 THROBBING GRISTLE, "HIGHBURY ROUNDHOUSE, LONDON" 1977
IRC09 THROBBING GRISTLE, "WINCHESTER ART SCHOOL" 1977
IRC10 THROBBING GRISTLE, "RAT CLUB, VALENTINO ROOMS, LONDON" 1977
IRC11 THROBBING GRISTLE, "BRIGHTON POLYTECHNIC" 1978
IRC12 THROBBING GRISTLE, "ARCHITECTURAL ASSOCIATION, LONDON" 1978
IRC13 THROBBING GRISTLE, "GOLDSMITH'S COLLEGE, LONDON" 1978
IRC14 THROBBING GRISTLE, "INDUSTRIAL TRAINING COLLEGE, WAKEFIELD" 1978
IRC15 THROBBING GRISTLE, "FILM MAKERS CO-OP, LONDON" 1978
IRC16 THROBBING GRISTLE, "CRYPTIC ONE CLUB, LONDON" 1978
IRC17 THROBBING GRISTLE, "CENTRO IBERICO, LONDON" 1979
IRC18 THROBBING GRISTLE, "AJANTA CINEMA, DERBY" 1979
IRC19 THROBBING GRISTLE, "SHEFFIELD UNIVERSITY" 1979
IRC20 THROBBING GRISTLE, "THE FACTORY, MANCHESTER" 1979
IRC21 THROBBING GRISTLE, "GUILD HALL, NORTHAMPTON" 1979
IRC22 THROBBING GRISTLE, "Y.M.C.A., LONDON" 1979
IRC23 THROBBING GRISTLE, "TG IN THE STUDIO" 1979
IRC24 THROBBING GRISTLE, "BUTLERS WHARF, LONDON" 1979
IRC25 THROBBING GRISTLE, "FAN CLUB, LEEDS" 1979
IRC26 THROBBING GRISTLE, "SCALA CINEMA, LONDON" 1979
IRC27 THE LEATHER NUN, "SCALA CINEMA"/"MUSIC PALAIS KUNGSGATAN" 1980
IRC28 MONTE CAZAZZA, "LIVE AT LEEDS FAN CLUB"/"SCALA CINEMA" 1980
IRC29 THROBBING GRISTLE, "AT GOLDSMITH'S COLLEGE" 1980
IRC30 THROBBING GRISTLE, "OUNDLE PUBLIC SCHOOL" 1980
IRC31 CLOCK DVA, "WHITE SOULS IN BLACK SUITS" 1980
IRC32 CHRIS CARTER, "THE SPACE BETWEEN" 1980
IRC33 THROBBING GRISTLE, "AT SHEFFIELD UNIVERSITY" 1980
IRC34 RICHARD H. KIRK, "DISPOSABLE HALF TRUTHS" 1981
IRC35 CABARET VOLTAIRE, "1974-1976" 1981

IRCD02 THROBBING GRISTLE, "I.C.A., LONDON" 1976
IRCD03 THROBBING GRISTLE, "WINCHESTER/AIR GALLERY" 1976
IRCD04 THROBBING GRISTLE, "NAGS HEAD, HIGH WYCOMBE" 1977
IRCD05 THROBBING GRISTLE, "BURLINGTON POLYTECHNIC" 1977
IRCD06 THROBBING GRISTLE, "NUFFIELD THEATRE, SOUTHAMPTON" 1977
IRCD07 THROBBING GRISTLE, "RAT CLUB, PINDAR, LONDON" 1977
IRCD08 THROBBING GRISTLE, "HIGHBURY ROUNDHOUSE, LONDON" 1977
IRCD09 THROBBING GRISTLE, "WINCHESTER ART SCHOOL" 1977
IRCD10 THROBBING GRISTLE, "RAT CLUB, VALENTINO ROOMS, LONDON" 1977
IRCD11 THROBBING GRISTLE, "BRIGHTON POLYTECHNIC" 1978
IRCD12 THROBBING GRISTLE, "ARCHITECTURAL ASSOCIATION, LONDON" 1978
IRCD13 THROBBING GRISTLE, "GOLDSMITH'S COLLEGE, LONDON" 1978
IRCD14 THROBBING GRISTLE, "INDUSTRIAL TRAINING COLLEGE, WAKEFIELD" 1978
IRCD15 THROBBING GRISTLE, "FILM MAKERS CO-OP, LONDON" 1978
IRCD16 THROBBING GRISTLE, "CRYPTIC ONE CLUB, LONDON" 1978
IRCD17 THROBBING GRISTLE, "CENTRO IBERICO, LONDON" 1979
IRCD18 THROBBING GRISTLE, "AJANTA CINEMA, DERBY" 1979
IRCD19 THROBBING GRISTLE, "SHEFFIELD UNIVERSITY" 1979
IRCD20 THROBBING GRISTLE, "THE FACTORY, MANCHESTER" 1979
IRCD21 THROBBING GRISTLE, "GUILD HALL, NORTHAMPTON" 1979
IRCD22 THROBBING GRISTLE, "Y.M.C.A., LONDON" 1979
IRCD24 THROBBING GRISTLE, "BUTLERS WHARF, LONDON" 1979
IRCD25 THROBBING GRISTLE, "FAN CLUB, LEEDS" 1979
IRCD26 THROBBING GRISTLE, "SCALA CINEMA, LONDON" 1979
IRCD29 THROBBING GRISTLE, "AT GOLDSMITH'S COLLEGE" 1980
IRCD30 THROBBING GRISTLE, "OUNDLE PUBLIC SCHOOL" 1980
IRCD33 THROBBING GRISTLE, "AT SHEFFIELD UNIVERSITY" 1980
IRCD36 THROBBING GRISTLE, "S.O. 36 CLUB BERLIN 7/11/80" 1980
IRCD37 THROBBING GRISTLE, "S.O. 36 CLUB BERLIN 7/11/80" 1980
IRCD38 THROBBING GRISTLE, "KUNSTHOFSCHULE FRANKFURT" 1980
IRCD39 THROBBING GRISTLE, "RAFTERS CLUB, MANCHESTER" 1980
IRCD40 THROBBING GRISTLE, "HEAVEN, LONDON" 1980
IRCD41 THROBBING GRISTLE, "LYCEUM, LONDON" 1981
IRCD42 THROBBING GRISTLE, "VETERANS AUDITORIUM, LOS ANGELES" 1981
IRCD43 THROBBING GRISTLE, "KEZAR PAVILION, SAN FRANCISCO" 1981

Thee Industrial Records Story (as written by Genesis P-Orridge)

INDUSTRIAL RECORDS
Industrial Music for Industrial People

THEE INDUSTRIAL RECORDS STORY:
Industrial Records began as an investigation. The four members of Throbbing Gristle wanted to investigate to what extent you could mutate and collage sound, present complex non-entertaining noises to a popular culture situation and convince and convert. We wanted to re-invest Rock music with content, motivation and risk. Our records were documents of attitudes and experiences and observations by us and other determinedly individual outsiders. Fashion was an enemy, style irrelevant.

We wanted to also investigate music as a Business phenomenon and propose models for entirely new and innovative modes of commercial operation. A parody and an improvement. Industrial Records was founded before any of thee better known of the English Independents and was at its close the 3rd largest, yet the most elusive. We wanted to make music and records more effective and relevant to our Industrial society, and we wanted to make business more efficient and creative as well. Industrial Records Limited was born. Named as the most unromantic yet appropriate title we could envisage. Big records companies produce records like cars; we are connected to a contemporary social situation, not a blues orientated past style; we work hard for what we want, we are industrious; we parody and challenge large industrial companies and their debasing ethics and depersonalisation; we work in an old factory; industrial labour is slavery, destructive, a redundant institution so we call it the Death Factory. Music From The Death Factory, from the world, from life. Records in English also mean files, documents, as collected by Government agencies, employers, schools and police forces. Our Records are a combination of files on our relationship with the world and a Newspaper without censorship. Monte Cazazza suggested our business slogan should be INDUSTRIAL MUSIC FOR INDUSTRIAL PEOPLE. You Get what you deserve. Or do you? Well, from the people with a vested interest in controlling and guiding society to follow their recommendations as to what attitudes you should have, what motivations should govern your bebaviour and what goals you should be satisfied with, you DO NOT get what you deserve. You get what you are given, and what you are given is primarily conditioning that pushes you towards blind acceptance, wasted labour, frustrated relationships and a vast sense of hopelessness. We are trained to feel we are not responsible or in control of our society and world so that we will continue to let "Leaders" look after us like parents with retarded children.

Leaders are not essential, we are TAUGHT to believe we need them, that we are not able to assume responsibility for ourselves. Lies created leaders, lies perpetuate leaders, lies destroy joy and creativity and hope. There are NO LIES on these records, no one here is a leader. We assume full responsibility for ourselves. We will not be deflected from our destiny. OUR LIFE. There is currently a trend back towards total control and safety in the record and music industry. Groups are styled, hyped and successful before they even release a record. Old outlaws and thinkers are opting for security, comfortable records that apply radical discoveries to banal musical ends. Show business and its inherited goals and justifications are triumphant again. The public is seduced and cheated by emptiness packaged alluringly in cheap tinsel. Fear is the Government once more. On this record are people who were not afraid to think, did not avoid risks. People of all ages are here, from 16 years old to 70 years old. Truth and hope have no boundaries, no set style, they are implicit most clearly in the way you choose to live. The title of the last record issued by industrial tells the rest. "Nothing here now but the recordings."
Or perhaps there is....

~Genesis P-Orridge (from TG CD 1)

________________________________________


10/24/2004

FAQ: REC.MUSIC.INDUSTRIAL

FAQ: REC.MUSIC.INDUSTRIAL -- Part 1 and 2 -- Questions and History


TABLE OF CONTENTS

PART 1 - Frequently Asked Questions File:
1. Other periodic postings
2. Intro
3. History
4. Charter
5. RMI CD Status
6. Important Facts
7. FTP servers
8. Mailing Lists



PART 2 - Directory of Record Labels/Mail Order Sources/Contacts:
1. Major Record Labels
2. Distributors and Smaller Record Labels
3. Mail Order Sources and 'Zines

:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Before I let you begin, I need to make a request. I feel like the FAQ
is getting woefully out of date. If you have any threads you are sick
of seeing, or some info you think should be included, please tell me.

I'd really like to see an extension on the history of Industrial
Music.

Future plans (we hope) should also include a listing of local
indepenent Industrial artists.

We especially need more info on record labels and mailorder sources.

If you know of any please send their name, label, and an address so I
can start compiling them.

MORE IMPORTANT NEWS! The address to send FAQ related info has changed
to rmi-faq@efn.org.

THE FREQUENTLY ASKED QUESTIONS FILE FOR REC.MUSIC.INDUSTRIAL

Current Editors:

DARRELL FUHRIMAN
ERIK HENRIKSEN


Copies of the FAQ are available available on ftp sites, on the Web and
on request. Comments, corrections, and queries regarding this file
should be sent to the above address.

NOTES ABOUT HTML VERSIONS

Where more than one link exists for a band, I will list them below the
section under the heading "Alternate Links". The link used in the
listing is my own favorite of the bunch. This is a matter of my own
personal preference so don't flame me 'cause I'll ignore it.

_________________________________________________________________

[1] OTHER PERIODIC POSTINGS



You are currently reading the "offical" r.m.i. FAQ. Other regular
postings include:

Jester's Net Industrial/EBM/Cyber Culture Band list, available from
jester@sage.cc.purdue.edu. The list covers those bands on the net, and
includes reviews of their various work. The list is posted monthly.

The Top Sample Sources List is a list of the most popular movies,
tv-series, presidents and other sample sources. The popularity is
based on how frequently spoken lines from these sources have been
sampled and used in some sort of musical context. The list has been
compiled by Peter Cigehn, mainly by the help of and contributions from
the readers of r.m.i. Currently the list consists of hundreds of
sources and nearly 1000 different samples. The latest version of the
list can be obtained directly from Peter Cigehn by e-mail,
Peter.Cigehn@um.erisoft.se. Although the prefered way to obtain a copy
is by reading r.m.i. where the list is posted about once a month, or
by Web at one of the following servers:

* Sewden
* Norway
* UK
* USA
* Canada


_________________________________________________________________

[2] INTRO

"In the gap caused by the failure of punk rock's apocalyptic rhetoric,
[the term] 'industrial' seemed like a good idea."--Jon Savage, London
1983

Experimental. Aggro. Techno. Cutups. Alternative. Noise. Ambient.
Musique Concrete. Sound Collages. Avant Garde. Performance Art.
Difficult. Improv. Industrial?

So many names and so many labels. It gets confusing when from all
around us, publications continue to spew out more complex and
different names in an attempt to pinpoint a source, while at the same
time converging on one obvious thought: industrial. To demonstrate
this idea, we could even trace these origins of industrial back to
dadaism if we wanted to. This FAQ file is less an attempt to force
people into their place and more to widen the flow of information.
Sharing the precious information allows us to experience more in our
learning than by strange militaristic actions.


_________________________________________________________________

[3] HISTORY

It is generally accepted that the term "industrial music" was coined
in 1976 when members of Throbbing Gristle formed Industrial Records.
It was to be a vehicle to explore a new form of expression through
analysis, presentation and aural stimulation. All of the individuals
involved used different means to achieve their goals, but the ideas
they shared were on common ground. Examples of early people on the
industrial label include Monte Cazazza, Clock DVA, Cabaret Voltaire ,
Throbbing Gristle, Leather Nun, and William S. Burroughs. Although
critics felt they were too deviant, their brand of confrontation
signaled a desire for a change in the political and social system
currently in place. However bleak and distressing, their music was
merely a reflection of the society that surrounded them. But what's
really important is that they cultivated ideas on topics ranging from
serial killing to sex and censorship as well as countless others which
are not encouraged in genteel discussions. This was the first strike
against the information war launched by the propaganda leaders and it
positioned them as more than just a musical movement, but an
alternative culture. To paraphrase, these essential ideas are the
makeup for the movement:

Organizational Autonomy. A conscious choice to record independently.
To preserve the intention of music and to take it away from the
tainted and greedy major record companies who enjoyed success at
others expense.

Access to Information. With the perception of control techniques
leaving any physical boundaries and moving into the realm of the mind
and the mouth, it was of vital importance to discuss and be aware at
all times.

Use of Synthesizers and Anti-Music. Using found materials and
unconventional means of composition industrial music was more
antagonistic to its intended audience, than being music true itself.
It was "sounds without content".

Extra-Musical Elementrs. Because television has become a more powerful
agent of control than any pop music song, the use of films and video
arrangements often accompanied these aural counter attacks.

Shock Tactics. The final blow in the scheme for control has to be the
use of hitting home what you have to say, making sure that it gets
noticed. By far, this last technique is what is most often used by
modern day "industrialists" and most probably the connecting puzzle
piece that gave them such a distinction at all. Unfortunately, we've
all witnessed death and war so often in this day and age, that we're
far too jaded to care, rendering such an attempt almost useless.

Does this mean that industrial is now dead? Perhaps. But it cannot
prevent the presence of their past actions from being muted or lost.
In the early to late 80's a number of other groups began to interpret
some of the audio ideas to formulate their own territorial grounding.
Mixing the use of new technology, imaginative found (or homemade)
materials, and the incorporation of percussion and rhythm helped guide
it into the new decade. Examples of some of these bands would include:
Non, SPK, Einstuerzende Neubauten, Test Department, Laibach, Rhythm
and Noise, Ono, and Trial.

By the end of the 80's, "industrial music" had more than just changed,
it had more or less, continued to progress and evolve alongside its
society. These days, it has often come to be known as electronic
instrumentation used to create a form of dance beats blended with
harsh noises and sound bites such as Skinny Puppy , Revolting Cocks,
Ministry, Front 242 and Front Line Assembly. Today, there are
musicians who create industrial music from both sides of the fence;
and the list is ever growing.

The fascination with noise and machinery which is so much a part of
what one tends to think of as "classic" Industrial music had historic
precedents. In the late 1800's ideophones (noises, concrete sounds)
were used in orchestral music, Luii Russolo performed using his
"intonarumore" (noise machines) (1913) and around 1920 Erik Satie used
pistols and typewriters in the music for his surrealist play Parade.
The twenties also brought the "Futurist" and "Machine Music" schools
in both Italy and France. Other important historical figures include
Edgard Varese, whose "Ionisation" (1930) was the first piece of
Western music for percussion instruments alone and who produced an
important tape piece called "Poeme Electronique" in 1958; the "Musique
Concrete" works of Pierre Schaeffer and others (tape pieces made
exclusively from electronically altering recordings of natural sounds
like water drops, glass breaking, etc. He was also responsible for
probably the earliest 'loop' which used groves cut into vinyl
records); and John Cage, whose "First Construction in Metal" (for
metallic percussion) and "Imaginary Landscape No. 4" \ (for 12 radios)
were landmarks in American music.

[ for more information about industrial (experimental) music/history/
culture there are a few books you can read:

TAPE DELAY - SAF Publishing Ltd. (ISBN 0 946719 02 0)
REsearch #4/5: Burroughs/TG/Brion Gysin (ISBN 0-940642-05-0)
REsearch #6/7: The Industrial Culture Handbook (ISBN 0-940642-07-7)
REsearch #8/9: J.G. Ballard (ISBN 0-940642-08-5)
REsearch #11: Pranks! (ISBN 0-940642-10-7)


for more info on how to contact REsearch Publications or SAF
Publishers, see the directory listing in Part 2.]




_________________________________________________________________

[4] CHARTER



rec.music.industrial is an unmoderated newsgroup which passed its vote
for creation by 411:80 as reported in news.announce.newgroups on 23
May 1991.

For your newsgroups file:
rec.music.industrial Discussion of all industrial-related music
styles.

The charter, culled from the call for votes:

Rec.music.industrial is for the discussion of all industrial-related
music styles, including traditional industrial (i.e. Einstuerzende
Neubauten, Throbbing Gristle, Cabaret Voltaire , etc.),
dance-industrial ('cyberpunk' i.e. Ministry, Skinny Puppy, Front 242,
Foetus, etc.) and hard techno music (i.e. Kraftwerk, etc.). Reviews of
new releases, related news items, concert information, and other types
of discussion are encouraged.


_________________________________________________________________

[5] RMI CD STATUS



The RMI-CD(s) now have their own home page.


_________________________________________________________________

[6] IMPORTANT FACTS



* The ADRV in Crash Worship's name stands for "Adoracion de Rotura
Violenta," which more or less means "Crash Worship" in Spanish.

* No member of Front 242 is a member of Bigod 20. Jean-Luc DeMeyer,
the lead singer of Front 242, was a guest on Bigod 20's song 'The
Bog,' and he sang it and wrote the lyrics. Aside from the
similarities in the two bands' music, this is the only direct
connection between the two bands. (And also the fact that they are
five-letter words followed by numbers.)

* There is some confusion over what is at the end of Front 242's
album TYRANNY FOR YOU. According to Transmission 242
originally,the songs were called simply 'Bonus Track I' and 'Bonus
Track II.' However, upon further prodding, they replied that the
pieces do have titles. The first one is called 'Hard Rock.' The
second one, according to the letter received, is called 'Trigger
3.' However, it is believed that this is a misprint, and instead
it should be called 'Trigger 1,' because the band had released a
(longer) song also called 'Trigger 3' on one of their TRAGEDY
remix EPs.

* The footage for the video to 'Mindphaser' by Front Line Assembly
was taken from the Japanese movie 'Gunhed.' Gunhed stands for 'Gun
UNit Heavy Elimination Device'. The original release was in Japan
in July 1989. The US version followed in 1991.

* Laibach's politics does not take sides in anything. Laibach is
part of a collective of artists called NSK or Neue Slowenische
Kunst. Upon entrance you are supposed to get rid of your political
views. Laibach are merely 'by-standers' and commentators in our
world of chaos. The most important point though is that
totalitarianism and oppression are not exclusive to facism but
also to: communism, christianity and capitalistic consumerism.

Since the entire NSK bases its work on the retro principle, it
means that the facist imagery is real (taken from actual Nazi art)
and the music also is based on music originally not composed by
Laibach. The most clear cut examples are: the Beatles, Queen, and
Opus; the glorified Macbeth is nothing more than a re-make of some
classical stuff.

What makes Laibach very unique though, is the overall designs of
their work. They ususally manage to collage one idea with its
opposite. Some of the artwork included on their disks was
originally done by anti-Nazi activists; however, its
out-of-context use leads one to associate it with Nazis. Laibach
stresses the idea that one can't be sure of the real meaning of
symbolism, that no one knows all of the history.

There are at least two radically different versions of Kapital,
the CD version is missing a track and most tracks are remixed from
the MC version.

* The proper spelling for the band Negativland is without the 'e'.
Their name was lifted from the Neu album BLACK FOREST GATEAU. On
that album one can find tracks named "Negativland" and "Seeland."
The first one is obviously the band name, and the second is the
name of the band's record label (before they signed to SST, of
course). Negativland means "negative country" or "country of
negativity" in German and Seeland means "country of the sea."

* It is important to note that Nine Inch Nails is essentially one
person, Trent Reznor from Cleveland (he does tour with a band but
they don't appear on the album Pretty Hate Machine). However, on
the more recent albums, Reznor is joined by other
performers/producers on various songs (Martin Atkins plays some
drums on Broken, J.G. Thirlwell remixed two songs on Fixed, Adrian
Belew plays guitar on a couple songs from The Downward Spiral).

* Butt Fuck Parlor Time (a.k.a. BFPT) is not a real NIN album.

* The correct definition of Einstuerzende Neubauten is "collapsing
new buildings" where "collapsing" is an adjective, not a verb.
examples:

einstuerzen
v., to collapse

einstuerzende
adj., collapsing, in a state of collapse



* According to the radio-promo release of 'Interim' the name is
pronounced: INE-SHTUR-ZEN-DEH NOY-BOUT-TEN

* "Neubauten" generally refers to buildings built in a particular
style, rather than to any recently constructed buildings. The
style in question is the impersonal concrete-box modernist style.
Most housing projects (especially the huge towers built in the
60's) are perfect examples of Neubauten.

* Einstuerzende Neubauten chose their name when the Berlin
'Kongresshalle' collapsed around 1980. The building is located
close to the Reichstag and was a gift of the US allies to the city
of Berlin. The Kongresshalle is shaped a bit like an oyster, was
used for all kinds of exhibitions and meetings and finally
collapsed due to its cheap 60's concrete/metal construction. A
journalist died, a few more were injured and several cars were
smashed. After a rather long public discussion the Berlin
government decided to rebuild the Kongresshalle since it was a
symbol for the friendship between Germany and the US.



Additionally, to be strictly correct on a Western keyboard, it
should be Einstuerzende (the proper way to indicate an umlaut [�]
over the 'u' is to just write it as 'ue').

Note, that I have chosen to use the "ue" instead of " [�]." This
makes the formatting correct when this is converted to HTML.

* Alain Jourgensen (of Ministry fame) is not and never was a member
of Pigface.

* "Sozialistische Patienten Kollektiv" (I've also seen it as
"Sozialistische Patienten Klink") or SPK named themselves after a
group of mental patients who formed an anarchist collective
(inspired by the Baader-Meinhoff Gang) and then blew themselves up
trying to make explosives. Their name changed on every release to
phrases such as "Systems Planning Korporation", "Surgical Penis
Klinik" and "SePpuKu."

* Concerning folks in sKINNY pUPPY: Nivek Ogre's real name is Kevin
Ogilvie. He grew up in Calgary.


* David Ogilvie is of no relation to Ogre, the same last names are a
coincidence. He moved to Vancouver from Montreal in the very early
80's. David Ogilvie's nickname is "Rave" and has been for a very
long time. Rave's wife (Rosie) is credited as "Mowse" on the old
CLEANSE, FOLD & MANIPULATE track 'Tear or Beat'.

* All of the above (and the other members of the Vancouver cadre)
are very nickname-happy. cEVIN and Dwayne both have nicknames as
well. Other people outside the camp get branded with nicknames if
they're around Rave or Ogre too long. Just because sometimes
"Rave" is listed and sometimes the more formal "David Ogilvie" is
listed doesn't mean they aren't the same person. There are credits
that say "Ogre" just as there are credits that say "K. Ogilvie".

* "Green guy" is a context-sensitive descriptor. It can mean a
particularly potent form of Pot, or the person who is the delivery
boy for said Pot. it is also used as in the credits for some pUPPY
albums.

* Everyone thinks that BACK AND FORTH exists in 50 copies. After
all, it does say words to that effect on it, right? This is not
the case. There's only 35 real copies. cEVIN made all of them
himself. He "pooped out" after those 35, so #36-#50 don't exist.
There's more. Of those 35 copies, there's "Mark I" and "Mark II".
The first 10 (or was it 15?) were hand- dubbed by cEVIN from the
four-track master. Those are the "good" ones. The remainder were
dup'ed on a high-speed double-cassette deck, and are thus deemed
(by cEVIN) to be of "lower quality".

* BACK AND FORTH has been re-issued on CD. it is the first part
along with other "rarities" and unreleased material as part of a
"10 year Skinny Puppy retrospective CD" that is in the works. The
BAD news is that it (B&F) is *re-mixed* and not just re-issued :-(
It is being re-done by "Hi-Watt" Marshall, the guy who engineered
the last Hilt album. (Rave Ogilvie is livid over this.) There are
two flavors of the re-issued Back and Forth CD: the regular
limited edition release and the "ultra" limited edition release
that comes packaged in a steel box with a numbered and signed
photo.

* the recording of sKINNY pUPPY's AIN'T IT DEAD YET was mastered as
one long track because it's intended to be listened to from start
to finish, like watching a concert. In order to get the whole
experience, you have to listen to the whole thing.

* For LAST RIGHTS, "song 4 on side 2" of the cassette is the same
thing as "song 10 on the CD" which is the same thing as "Left
Handshake", the track that samples Timothy Leary from "Tune in,
turn on, drop out" which is the same track that isn't there
because the copyright holders on said Timothy Leary quoted speech
rescinded permission for the band to use the samples. It may
emerge as a one-sided 7", to be given away to people at their
upcoming tour shows if you buy some tour merchandise; or it may
suddenly appear out of (K)nowhere courtesy of some annoited
bootleggers. It has also been reported that Leary is working to
get the rights to his speech back so SP can use it. It is now
available on the FTP site listed below.

* Skinny Puppy does maintain an FTP site. ftp.netcom.com in the
/pub/puppy directory.

* Re: Tear Garden's album, TIRED EYES SLOWLY BURNING, the credits in
vinyl copies for the song "You and Me and Rainbows" clearly state:


Edward Ka-Spel: Voice, keyboards, tapes
cEVIN Key: Keyboards, rhythm box, guitar, radio, tapes, voice
D. Rudolph Goettel: Keyboards
Lee Salford: Drums
N. Ogre: Voice
Lisa: Lady voice
Rave: Guitar, tapes


Note that "Lee Salford" was the drummer for Section 25 at one
time, and "Lisa" is a woman who I believe was Cevin's girlfriend
at the time.

* 1000 Homo DJs work was originally done as an Al Jourgensen solo
project concurrent with the LAND OF RAPE AND HONEY work. The vinyl
EP of APATHY was released about six months post LORAH. When Al
decided that Trent Reznor should do the vocals for 'Supernaut',
Steve Gotlieb (president of TVT), who was already unhappy with
Trent because of his legal filings against him, told Wax Trax that
any productions using Trent Reznor's voice is in violation of
Trent's contract with TVT. So the CD5 was released with the
original Jourgenson vocals. the CD5 itself was released containing
the two new songs, 'Supernaut' and 'Hey Asshole' as well as what
was on the APATHY EP, 'Apathy' and 'Better Ways'.

* KMFDM stands for Kein Mitleid fuer die Mehrheit which in English
means "No pity For The Majority." It has been argued that the name
really means nothing because the liner notes for their album, WHAT
DO YOU KNOW, DEUTSCHLAND (WaxTrax! Records) have it listed as
meaning:

"Kein Mehrheit fuer die Mitleid"

however, the proper use of the prhase would be:

"Kein Mitleid fuer die Mehrheit"

(mit=with,leid=pain -> Pity; Mehr=more,heit=-ness -> Majority)

which also uses the genders correctly.

* Other uses such as "Kill Mother Fucking Depeche Mode", "Krispy
Mutant Fish Dealing Mescaline" or even "Kyle Minogue Fans Don't
Masturbate" is just a joke.

* Survival Research Labs now has an answering machine system which
you can get info from. Unfortunately, the current messages do not
give any dates for performances. It does however have a menu which
allows you to get info on past shows, legal problems, being an SRL
volunteer, and current machines working or being developed. Call:
1 + 415 641-8065.

They also have an FTP site, but I lost the address. If someone
could forward it, I'd appreciate it.


_________________________________________________________________

[7] FTP SERVERS



* The anonymous FTP address for the rmi FAQ is:

rtfm.mit.edu /pub/usenet/rec/music/industrial

Not only will you find the rmi FAQ there, you will find about
every other FAQ as well.

bradley.bradley.edu or (136.176.10.11)

Contains the EFN back issues. Also present are transcribed lyrics
(currently Ministry and Negativland) and a few discographies.

* The discography archives are currently available via e-mail
request from Dave Datta and/or (preferably) via anonymous FTP at:

ftp.uwp.edu (131.210.1.4)

The archive is organized by letter, then by name. So, if you were
looking for Coil, you would look in:

/pub/music/artists/c/coil

This directory then has the following links in it:

discog -> /pub/music/discog/c/coil
lyrics -> /pub/music/lyrics/c/coil
pictures -> /pub/music/pictures/c/coil
reviews -> /pub/music/reviews/c/coil


There are thousands of discographies in the archives as well as
tons of lyrics at this time. Submissions are always welcome. A
sample FTP session/help file is also available via mail request
from the administrator.

* The files that comprise Factsheet Five Electric (the zine of
zines) are available for online reading or downloading from the
WELL, via ftp from either:

ftp.msen.com (148.59.1.8) /pub/newsletters/F5-E
or
src.doc.ic.ac.uk /literary/newsletters/factsheet-five

These are freely distributable. Questions regarding F5 Electronic
should be addressed to Jerod Pore jerod23@well.sf.ca.us.

* The general rule for all anonymous ftp sites is:
1. When prompted for a user name, type 'anonymous'.

2. When prompted for a password, type your full e-mail address.



This will work for the vast majority of ftp sites, including the ones
above.


_________________________________________________________________

[8] MAILING LISTS

This list is woefully incomplete, so if you maintain a list or are on
one let me know and I'll get it included. In no particular order:

*

THE NORTHWEST ELEKTRO-INDUSTRIAL COALITION:
Posts of NEC show dates, tour schedules, band-news, bios and the NEC
e-zine. Anything relating to Northwest Music is accepted.

Send mail to listproc@u.washington.edu with the subject subscribe
nec full name.

*

SMOTHERED HOPE:
Taking its name from the early Skinny Puppy song, it exists for the
disucssion of (you guessed it) Skinny Puppy's music.
smothered-hope-request@mrfrostie.ecst.csuchico.edu

*

THE INDIE-LIST:
The Indie-List is a digest of reviews and other info for listeners of
idependent music (not just industrial). Requests for addition to
the list should be sent to grumpy@access.digex.net (a person, not
a program)

*

GOTHIC GUITAR TAB:
For guitarists wishing to exchange tabulature.
gothtab-request@unix2.tcd.ie

*

NET INDUSTRIALISTS:
For all net bands on the net industrial/ebm/cybercultre band list to
chat, share trade secrets, etc
music-swap@acca.nmsu.edu

*

4AD MUSIC:
For the 4ad record label. listserver@jhuvm.hcf.jhu.edu
Leave subject line blank. Place only this in message: subscribe
4ad-1 {your name}

*

NINE INCH NAILS:
Any subject, with the text only "ADD". nin-request@nin.wariat.org


*

KRAFTWERK:
A useful list maintained by Dave Datta, unmoderated, available as
digests or individual mail.
Requests to join to: kraftwerk-request@cs.uwp.edu

*

CLOUD-ZERO:
For the discussion of Legendary Pink Dots and related projects. (Tear
Garden, MIMIR, Delerium, Nurse With Wound) Or for anything
inspired by the above.

There is also an associated FTP site: ftp.cs.mcgill.edu in the
/pub/mail-list/cloud-zero directory.
cloud-zero-request@cs.mcgill.edu

*

FOETUS/J.G. THIRWELL/CLINT RUIN:
For discussion of same. himmelfahrtstransport-request@dover.cerf.net
(Say that three times fast.)


_________________________________________________________________

The original versions of the FAQ were maintained by Dan Kletter-- yol@netcom.com.

Many thanks to: (in no apparent order)

Al Crawford Mason Jones Jeff Dauber
David Vessell Dave Stein Greg Earle
Adam Weitzman Rob Vaughn Seth Robson
Joshua Buerge "Uncle Klaus" Dave Datta
Valerie Ohm Andrew Russ Adrian Le Hanne
Leo Breebaart Ben Cox Terry Reed
Mark Gunderson John Davison Kritt Gierlefzen
Georg Wallmann "hortonee" Jutta Degener
orcist Paul Moore Anders Holmberg
Franck Arnaud "@Man" Bob Haskins
Piotr T. Prussak Jennifer Davis Jester
Michael Lucas Pete Ashdown Peter Cigehn
Kevin "white law" Michael Gendreau
___________________________________________________

Last Modified: Apr 3, 1995

10/05/2004

The Art of Noises

The word "Intonarumori" is Italian and it means "noise intoners." The word comes from the Italian Futurist art movement. The Intonarumori were machines built to mimic the industrial sounds of the age. The Futurist composers created symphonies for the machines. Their concerts often resulted in fist-fights with the audience.

The Art of Noises

9/26/2004

Wild Planet! - (1983 article about Industrial music)

This article, one of several pieces written by Dave Henderson, originally appeared in the UK rock newspaper Sounds, dated May 7th 1983.



NOTE: "I'd strongly recommend not writing to any of the very out-of-date addresses contained in it! It's a snapshot of what "industrial music" appeared to be in the UK at one particular point in time, when the earliest industrial pioneers had had their day, but widespread enthusiasm for an independent, networked music scene was still very much present.
The bands that Henderson lists provide useful pointers both to those who had inspired the industrial scene, and to its future developments (e.g. extreme noise, electronic body music etc). It's also one of several breeding grounds that mushroomed into the underground cassette networks of the middle and late eighties. Many of these bands are forgotten now, some admittedly with justification. Others, however, are neglected gems...."


-from an introduction written by Brian Duguid, July 1996

-----------------------------------------------------------------

WITH the release of Third Mind's 'Rising From The Red Sand' cassette a whole spectrum of music from around the world was brought together in a 2xC60 package. The wealth of sound and variation of content so impressed me that I began to contact the groups involved to see what else they had been doing. Underground, free-from, experimental, avant-garde, industrial, call it what you will, but there's a blossoming sub-structure of groups around the world who are attempting to produce music that is ultimately different. They are not tied together as any kind of neat package but merely as a network of friends who are in sporadic contact with each other. In compiling this preliminary listing I have heard things that I have never heard before and met some of the innovators of the art. Even in its mammoth proportions there are others who I couldn't contact or who were on the perimeters, but once you've entered the network it's possible to delve much deeper into the unknown.
----------------------------------------------------------------------------------------




ABWARTS: (Germany) Led by Einsturzende Neubauten's FM 'Mufti' Einheit Abwarts are the accessible face of the 'Untergang' of Berlin. Their first Zick-Zack LP 'Amok/Koma' was anarchic but their second 'Der Westen Ist Einsam' - currently available on Mercury Records - although carrying on that flavour is a lot more commercially based.

AFTER DINNER: (Japan) Formed in 1981, After Dinner are fronted by 19 year old Haco. Her traditionally orientated vocals and the group's use of Japanese instruments is transformed into a challenging sound collage by the use of varispeed and free improvisation. Contact: (see Eastern Works)

JOHNNY ALIEN: (Transatlantic) Featured on the Sterile records compilation cassette Standard Response' and rumoured to be putting together an LP for the label. Currently working in Sheffield in an American bar he has travelled back and forth from the USA and lives out the western philosophy in more ways than one.

AMM: (UK) Forerunners of experimental mayhem. Several albums have been released from their most productive period in the mid-60's but they all may be difficult to locate now. One track, which was recorded at the Commonwealth Institute in 1967 and taken from over 15 hours of tape, is featured on the United Dairies compilation 'An Afflicted Man's Musica Box' (see United Dairies).

AMOK: (Italy) Dealing with noise for effect they manage to transcend a lot of the easy options and come up with a unique sound. From Italy and featured on the Trax 'Area Condizionata 1' cassette, Amok also have nine hours of material available in the 'Conceptual Music on Tape' series and tracks on various other Trax compilations. Contact: Enrico, Via Petrarca 15, 25086 Rezzato, Italy.

ANIMA: West German duo who released five albums and contributed to a couple of compilations during their most productive period between 1969 and 1977. A sample of their work, which demands further Investigation without doubt, is available on the United Dairies compilation 'An Afflicted Man's Musica Box'.

ANODE: (USA) 'Experimentalism from the Northwest resulting in multi- textured sonic seasonings that fuse the primal with the etheral' reads the handout that accompanies the Eurock LP 'The American Music Compilation' and once you've got past all that, I suppose it's quite true.

'AREA CONDIZIONATA': A Trax cassette magazine which appears whenever possible (see Trax for contact). Issue one features a selection of Italian industrial artistes with each contribution tastefully separated by the sound of an electric drill. A good starting point for Italian experimentalists, their hypothesis being to 'explore different topics relevant for our time and culture.'

ART OF NOISES, THE: A manifesto from the futurist movement written by Luigi Russolo in 1913. Russolo wrote about the six families of noise which the Futurist Orchestra would soon set mechanically in motion. These families ranged from 'Booms' to 'Sobs' and as a closing paragraph he wrote: '...We therefore invite young musicians of talent to conduct a sustained observation of all noise. This will afford not only an understanding, but also a taste and passion for noises...'

ATTRITION: (UK) Trio from Coventry who have an array of material available all over the world in cassette form. Most recently they've been featured on the Third Mind compilation 'Rising From The Red Sand' and a C90 compilation from Cause For Concern. In their own right they have a C45 containing music to accompany the board game 'Death House' available from themselves and a C25 cassette EP coming soon from Third Mind. Formed in 1980 and going through numerous personnel changes they are now Martin voice and percussion, Ashley keyboards and Chryss voice and bass. Concentrating on setting up their own studio and building up the hardware therein, they have recorded numerous tracks in the development stages of their sound. "We have always striven to create a music that combines both energy and ideas and we know we are getting nearer and nearer to this." Indeed they are. The two facets of the group are displayed admirably on their 'Death House' cassette and their most recent recordings. While 'Death House' is eerie and long the newer material is quite short and, especially on tracks like 'Cut it Fine', has a commercial edge while still remaining challenging. Attrition are close to that bridging paradox where the avant-garde becomes accessible. If they finally find that hallowed ground it will have been well worth the wait. Future projects see them contributing to a flex package for the Ministry of Culture in New York - which will be available through the group - a joint single with Switzerland's Shaman Circle and a track on the forthcoming Glass Records double compilation. Information and cassette catalogue available from Attrition, 143, Moat Avenue, Coventry, CV3 6BW.

BAIN TOTAL: Distribution and label for France. Dealing with Camera Obscura, Die Form, DZ Lectric, Etant Donnes, IMM, Krylon Hertz, Ptose Production, Stigma Diaboli, DF and others. Contact: 8, rue due 4 Septembre, 01000, Bourg en Bresse, France.

BENE GESSERIT: (Belgium) The project most concentrated on by Alain Neffe - known as B. Ghola in this case - and Nadine Bal - known as Benedict G - with one single - the essential 'Kidnapping' - 3 tracks on the DIA LP 'Four In One', a cassette 'Postcard From Arrakis' on Ding Dong Discs and many appearances on compilation tapes.

JACQUE BERROCAL: (France) Featured on the United Dairies compilation 'An Afflicted Man's Musica Box', Berrocal has also released three albums in his own right. The second, 'Paralelles', featured a long track entitled 'Bric A Brac' which has become a term for his music.

IAN BODDY: A biochemist of some kind from the Newcastle area, Boddy is a self-taught keyboard player whose music is usually half improvised and half scored. The vague titles of his pieces reflect his music, which, by design suggest distinct images in their use of overlayed keyboards, echo and delay. Influences range from Bach through Eno to Klaus Schulze and examples of work can be heard on three cassette albums which he has produced for Mirage (see Mirage).

RICHARD BONE: American experimentalist who features on the Eurock compilation of American music. Following this more avant-garde performance his subsequent releases - through Survival Records in this country - have shown a more commercial side of his performances. His new LP features an array of electronic pop music and is called Brave Tales.

ALEXANDER VON BORSIG: "Since I'm 13 I'm interested in manipulation." Former member of P1 E, Blasse, Sentimentale Jugend, Mekanik Destruktiw Komandoh and Sprung Aus Den Wolken, Borsig was one of the early members of Einsturzende Neubauten. He left the group because he didn't feel there was enough room for his ideas but eventually returned to handle their sound. Now as a member of Borsig-werk he is joined by Abwarts/Neubauten's FM Einheit for live appearances and has a solo 12" out on Maxi through Rip-Off (see RO). Acclaimed as a genius, he also has numerous releases available with former outfits and plans to release new material this year.

BOURBONESE QUALK: Started in Southport in 1979. First performance in l980 with the odd non-musical appearance before (mainly vandalism). After several line up changes the group toured France last year and will be touring Europe this year. Although several records labels have shown interest they have remained independent and are the nucleus of the Recloose Organisation. An LP by the group is planned for release before the summer and seems to fluctuate between hard electronic rhythms, almost funky dance music and a fusion of the two. Contact (see Recloose Organisation)

BROKEN FLAG RECORDS: (see Power Electronics) Contact: 56B, South End, Croydon, Surrey.

WILLIAM BURROUGHS: Although not directly involved in music William Burroughs has great regard - he recently sighted SPK as one of his favourite groups - and has had a large influence on many artists. His text 'The Electronic Revolution' (available as part of 'Ah Pook Is Here and Other Texts' from John Calder Ltd, 18, Brewer St, London, WlR 4AS) has been sighted as essential by Cabaret Voltaire and many others. His ideas about using tape recorders to spread rumours, discredit opponents and as a front line weapon to produce and insight riots recurs in numerous spoken text overdubs that have crept into music. Similarly his cut up technique - note Yazoo on their first LP - has been used to great success not only with text but with music as well. This technique and its origins can be studied on the Industrial Records LP 'Nothing Here Now But The Recordings' which is still available in small quantities and features an explicit explanation of the art. Burroughs' readings, which perfectly display the humour that so many miss in his work, are also available on a C60 cassette entitled 'Opens Fire' which is available from less mainstream bookshops and on the GPS import album 'You're The Guy I Want to Share My Money With' where he is featured along with Laurie Anderson and John Giorno.

BUSHIDO: Group set up by Chris and Gary of Tone Death magazine. Although there is only one track available - on the 'Rising From The Red Sand' compilation - under the name Tone Death, plans are afoot for new recording and releases. Concentrating on a aggressive music for films and with a healthy regard for more obscure music this year promises to be productive and important for them.

FRIEDER BUTZMANN: Former member of the early DAF and Din A Testbild, Butzmann eventually opened his own record shop and started the label Zensor. Noted for releasing the Throbbing Gristle live album 'Funeral In Berlin' the label also released the excellent 'Vertaunesmann des Volkes' by himself. A throbbing and compulsive collage of electronics and voice.

CABARET VOLTAIRE: First generation experimentalists who, through a string of live appearances and numerous releases on Rough Trade, Industrial Cassettes and Crepescule, managed to shake off the bleak, grey image of their native Sheffield. Having recently set up their own video label (see Doublevision) and left Rough Trade they are negotiating a major record deal and already have their next LP recorded - which should cause a few stirs in its reading of the medium as an almost commercial entity.

JOHN CAGE: Modern classical minimalist who influenced Zappa, Todd Rundgren, Brian Eno and a new wave of experimentalists. His concept of total harmony in the role of composition and performance shifted and demystified the moment of creation. His players follow his scores at will not improvising themselves but improvising his music. Each performance is impossible to predict, but always eventful.

CAUSE FOR CONCERN: Masterminded by Larry Peterson, an effervescent character who writes like a crazed lunatic. A cassette label that concentrates on the diverse and on most occasions comes off pretty well. Sample from catalogue: 'Metempsychosis' (Paul Kelday) Can words describe this music? Here's a few: atmospheric, electro, acoustic, mind bending.... No, words can't describe this release. Listen for yourself (#1 or blank C90). Material is variable in quality but some important outfits are nestling within CFC. Most notably Third Door From The Left (see TDFTL) and the two compilations on CFC highlight music that deserves more investigation. 'Paranoia Is Awareness': Features the Apostles, Nocturnal Emissions, Tom Castle, the Event Group etc. 'A Sudden Surge Of Power': Features Test Department, Attrition, 400 Blows, We Be Echo, Chris And Cosey, New 7th Music etc. Both compilations come with booklets, the latter being undoubtedly CFC's most important release to date with a strong roster of artists included. Also available of CFC is a rare TG tape 'Nothing Short Of Total War' which was originally only available in very small quantities. Contact: 55, Hollybush Hill, Snaresbrook, London, E11.

MONTE CAZAZZA: America's most excentric and radical 'pop' star, Cazazza released two singles and a live tape on Industrial Records before disappearing back to the States. Since that time numerous rumours have circulated about his hatred of leaving his flat, his current work and his future plans. Recently there have been sporadic showings of his eight minute anti- pornography film 'SXXX 80' which has been cited, inevitably, as pornographic. Working with Tana Emmolo-Smith and Californian based group Factrix he recorded a live album - 'California Babylon' for Subterranean Records - and a video 'Night Of The Succubus'. 'Stairway To Hell' has just been released by Sordide Sentimental in France and an extensive interview will appear in the April issue of RE/Search while Monte's voice can be heard over a telephone on the forthcoming Psychic TV LP. Monte: "I hope to be starting on a new set of performances and work but as these are going to be the most complicated I have ever attempted it may take from one to three years before they see completion, if at all."

CHRIS AND COSEY: Perpetrators of CTI and ex-members of Throbbing Gristle who have managed to foster the new generation of 'interesting and experimental' bands by their sheer encouragement. Having released two LP's through Rough Trade which showed the old TG awareness but with a new technological proficiency Chris And Cosey have contributed to an endless number of compilations while still finding time to work on other people's material. They have recorded a single with the Eurythmics which should be out quite soon and in the recording of their next LP they have worked with various musicians including Lustmord. Also dabbling in video and there are plans this month for their first live appearance at the Ace in Brixton. With regular newsletters to interested parties you'd wonder where they get the time but it is their personal approach and helpful attitude that is so rewarding and this too is reflected in their music. All records and most compilation tapes through Rough Trade, 137, Blenheim Crescent, London, W11.

CORTEX: Poetry in French most often said by Mirella Brunello the singer in Subject with backing music by Alain Neffe. One cassette on Grafika (see DIA).

CULTURAL AMNESIA: Having appeared on several compilation tapes - Cause For Concern and Sterile - there are plans afoot this year to release a vinyl representation of their strange sound squiggles and forceful rhythms. Contact: Vine Cottage, Haroel, Long Crendon, Bucks.

DATENVERARBEITUNG: Occasional magazine and cassette label set up by Andreas Muller. Unimpressed with the music scene in Germany Muller decided to release material by foreign groups. Recently releases have included material by Spain's Esplendor Geometrico, America's Hunting Lodge - who sound extremely interesting - and England's Cultural Amnesia. There are also a couple of recent compilations: 'Sinn And Form' features Nocturnal Emissions, MB, Koft/Kurz, Metradrive, Pseudo Code, Chris And Cosey and others. 'Germany' - which is in fact a Bain Total sampler (see Bain Total) - features Camera Obscura, Die Form, DZ Lectric, Ptose Production and other French bands. Contact: Andreas Muller, c/o Normal, Bornheimerster 31, 5300 Bonn 1, West Germany.

DDAA: Deficit Des Annees Anterieures, who, through their own Illusion Productions, have released several small scale concept pieces. Most recently there's been the EP 'Adventures In Africa' (now deleted) concerning their research into that country's music and at the end of last year the LP 'Action et Demonstration Japanaise' concentrating on traditional Japanese music. Their performance on these projects is inspiring and the hand painted sleeve of the LP opens to reveal an array of Japanese paraphernalia including water colours and sketches. Opting to do things on such a small scale has obviously paid off for them as their releases are works of art to a certain degree. More important however is the music contained which is riveting stuff and definitely worth searching out. Contact: Illusion Productions, 15, rue Pierre Curie, 14120, Mondeville, France. DDAA are also featured on the Selektion LP 'Masse Mensche'.

UN DEPARTMENT: French group who have been difficult to locate but who have a mini-LP and a single available on import. Varying from Cabaret Voltaire style aggression to loose jazz and free-form improvisation their music is highly accessible but always quite challenging.

DIA: Launched in the summer of 1982 following the bankruptcy of Sandwich Records. The Direct Impact Association has its own record label subsidiary Grafika and the first release on that was a 'Four In One' compilation featuring Glamour For Evening, the Legendary Pink Dots, Bene Gesserit and Subject. Singles followed from Wallonia's hottest white funk group Itza Uchen, Bene Gesserit - the rapping 'Kidnapping' - and Storm In A Nutshell's 'Deaf Doom Dumb Waiters'. On the cassette front there are a host of releases in many different formats. The first 4 in 1 package consisted of contributions from MV, Etat Brut, Human Flesh and Pseudo Code and the 'Insane Music For Insane People' - now up to volume 3 - has included Mechanique Vegetale, Cortex, I Scream, Japanese Genius, MAL, Nosy Parker, Colin Potter, Let's Have Healthy Children and many more. DIA are also heavily involved in the distribution of material from all over the world. Contact: 83, Avenue Ducpetiaux, B1060 Bruxelles, Belgium.

DIE TODLICHE DORIS: The deadly Doris, Berlin's most expressive and chaotic outfit. Their music is merely an extension of their everyday life, there is a wealth of activity going on, in and around their two fine LPs - both available on Zick-Zack (see Rip-Off). The films of deadly Doris are soon to be available through Twin Vision on a video which will include the classic short 'The Life of Sid Vicious' with a two year old boy playing Sid. The trio consists of Wolfgang Muller, Kathe Kruse and Nikolaus Ufermohlen and their desire to stay outside of the accepted rock tradition is well in evidence on their live performances. (On occasions they have got three other people to perform so that they can see what they look like). Outside of music, Muller has also written a book 'Geniale Dilletanten' which explains music through different people's eyes and features Borsig, Frieder Butzman, Einsturzende Neubauten and a large wealth of talent.

DING DONG DISCS: Set up to release material by interesting new groups in Arnhem and the surrounding area, this Dutch indie ran into a few problems as there was only Van Kaye and Ignit and Andre de Saint-Obin doing anything interesting in the area. Eventually after meeting Nadine Bal and Alain Neffe of Grafika Airlines - now DIA (see DIA) - they began to release each other's material in their respective countries. Similarly, after meeting Pat Bermingham of In Phaze (England) they began to distribute each other's material. Although they have since developed a healthy network of contacts around the world, these three labels act as a tight knit unit for distribution in England, Belgium and Holland . Their latest venture is 'theme cassettes' where groups from around the world are asked to contribute tracks on a certain theme for a compilation cassette. The first example of this is highly successful. 'Turkish Delight' features the Legendary Pink Dots (England), Bene Gesserit (Belgium), Soma (Holland), Arif Sag (Turkey) and many others. The next package will be 'Film Noir'. Other material available includes records and tapes from Bene Gesserit, Van Kaye And Ignit and Andre de Saint-Obin. Contact: Ding Dong Discs, PO Box 1155, 6801, BD Arnhem, Holland.

DOUBLEVISION: Independent video label set up by Richard Kirk and Stephen Mallinder of Cabaret Voltaire along with Paul Smith. At the outset it was regarded as a one-off project to release a Cabaret Voltaire video, but after a short while the proprietors realised that they could release other material. The second release, Throbbing Gristle's, recording of 'Heathen Earth' came out recently and plans are afoot to release material by 23 Skidoo, Z'ev, Pete Care - a Sheffield film maker whose 'Johnny Yes/No' film features a soundtrack by Cabaret Voltaire - along with a tape featuring the highlights of the Fetish night at the Lyceum with TG, the Cabs, Clock DVA and Z'ev. All releases are reasonably priced (under #20) and details are available from Doublevision, 30, Chatsworth Avenue, New Basford, Nottingham, NG7 7EU.

DUALLEIN: Cassette 'Noch Kein Regen Fur Alle' available from Neumusik. Neumusik: "Rhythmic, repetitive 'trance' music from Vienna. Based on the themes of vibration and respiration, and although most of the instrumentation is electronic in origin the end result if very organic, earthy and incredibly hypnotic.

EASTERN WORKS: Distribution network set up in Japan. Also involved in the release of material by Japanese groups - see After Dinner, Merzbow and Taco - and responsible for the release of the sadly deleted 'Ylem' compilation LP last year. Contact: 2A Hasegawa Bldg, 7-37-4 Yoyogi, Shibuya-ku, Tokyo, Japan 151.

EG OBLIQUE GRAPH: The brainchild of Bryn Jones who, with his meagre studio resources, managed to produce the excellent 'Piano Room' C60 cassette on his own Kinematograph tapes and the 'Tryptich' 7" EP for the Recloose Organisation Hailing from Manchester Bryn entered a new phase of production this year and changed his name to Muslimgauze (see Muslimgauze).

EINSTURZENDE NEUBAUTEN: Formed in 1980 by Blixa Bargeld, NU Unruh, Gudrun Gut - now with Malaria - and Beate Bartel - now with Liasons Dangereuse - they released a cassette and undertook live work before Gudrun and Beate's departure. Eventually FM Einheit (see also Abwarts) joined the group and their first LP, 'Kollaps', was recorded for the Zick-Zack label (see Rip- Off). Another Abwart, Marc Chung, was recruited for a European tour and floating member Alexander Von Borsig (see Borsig) rejoined the group. In April 1982 they formed an organisation with the aim of 'Planning, realisation and production with the greatest possible independent control of the group'. July '82 saw the recording of 'Thirsty Animal' with Lydia Lunch and Roland Howard of the Birthday Party. At the start of this year the group played the Lyceum, London to a rapturous response and the Hardt label - subsidiary of Self Immolation Records (see You've Got Foetus On Your Breath) - have a compilation of the group's material ready for release. Neubauten are currently recording their second official LP.

ERROR GENETICO: Oddball Spanish outfit who dabble in multi-layered sound, wild Pigbag style brass excursions and recurring bass drones. Contact: (see UMYU)

ESPLENDOR GEOMETRICO: Consisting of Arturo Lanz and Gabriel Riaza, EG have been together since September 1980. A first EP and cassette have already sold out - the cassette has been re-released by Datenverarbeitung. Contributing to various compilations in other countries their music is an aggressive charge over an industrial noise base. The best example of their work is their LP which is still available from the group. Hard electronics employing voice, synth, rhythms and tapes. Contact: Apartado 14325, Madrid, Spain.

ETANT DONNES: Extreme sound collages using tapes loops and electronic noises. Contact: (see Bain Total)

ETAT BRUT: (France) From their appearance on a Grafika (see DIA) cassette it would seem that this French outfit concentrate on rhythmic pieces which build into a hypnotic climax. Quite a long track which is pretty aggressive.

EUROCK: American magazine put together by Archie Patterson and as its title suggests concentrates on the synth music of Europe. As time has gone on the field of research has been widened and recent issues have featured Richard Pinhas, Der Plan, Klaus Schulze, Legendary Pink Dots, Nocturnal Emissions, Neuronium, Bernard Xolotl, DDAA, Urban Sax, Faust, Chrome and a host of others. In its 10th year it also handles a distribution service for cassettes and LPs and on the Eurock label 6 cassettes and one LP have appeared. The LP features American music from four artists - Anode, Doctor Wize, Richard Bone and a collaboration between Jasun Martz, Eddie Jobson and John Lutrelle - and shows well they haven't quite gone to sleep over there. Contact: Eurock, P0 80x 4181, Torrance, CA 90510 USA.

EYELESS IN GAZA: Duo consisting of Pete Becker and Martin Bates who, over numerous LP's for Cherry Red have produced some fine, thoughtful, synth based music. Always with the potential to produce a hit Eyeless have experimented with their music in a lot of ways and have tracks featured on many compilations around Europe as well as an LP on the Uniton label.


FACTRIX: American duo whose long anticipated debut LP 'Scheintot' appeared on the Adolescent label last year. Recently in England to work on their next LP they have also had an LP and video collaboration with Monte Cazazza.

FETISH RECORDS: In their heyday, with releases from 23 Skidoo ('Seven Songs'), Clock DVA ('Thirst') and Stephen Mallinder ('Temperature Drop' and 'Pow Wow'), Fetish had their finger firmly on the pulse of the experimental crossover genre. Following the decease of Throbbing Gristle's Industrial Records they released a box set of TG's four studio LP's along with a recording of their last live concert 'Mission Of Dead Souls'. Unfortunately their releases weren't always as direct with material coming from the Bush Tetras and the Bongos. That coupled with the desire to break Perry Haines' 'What's Funk' in the national chart placed the company in financial difficulty.

FLOWMOTION: Set up in 1980 by Ian Dobson to cover the ground between the traditional Euro scene and the national press. Ian: "Luckily through Flowmotion I've discovered the new underground of overseas groups - DDAA, MB, P16D4, Esplendor Geometrico and hundreds of others. The same thing goes for British groups, there are thousands of people who buy TG, Cabaret Voltaire etc. who have never heard of Nocturnal Emissions, Nurse With Wound, etc." With the release of a Flowmotion compilation LP Ian opted for the more 'easy listening' style of music because there were a lot of avant-garde releases in preparation. The compilation features Chris And Cosey, TLA, Eyeless In Gaza, David Jackman, Ian Boddy, the Legendary Pink Dots, Paul Nagle, Carl Matthews and Colin Potter. Purposely all British to show that not only France and Germany could produce that kind of music. The next vinyl is the new Konstruktivits LP which is the start of a series of vinyl releases and Flowmotion have also got a healthy roster of cassette releases available - including Sea Of Wires, Ptose Production, etc. Issue 5 of Flowmotion, due soon, will feature Frieder Butzmann, Z'ev, Konstruktivits, 23 Skidoo and lots more. Other projects include a cassette and LP from Metamorphosis and a compilation video which has been in construction for some time. Contact: Flowmotion, 9, Ashley Terrace, Leeds 9. Stop press: A cassette by Cosey Fanni Tutti, 'Time To Tell' with magazine now available.

400 BLOWS: South London duo who rose from the ashes of Concrete to release one of the finest singles of last year 'Beat The Devil'. Their curious and exciting style has been well received on the dancefloors of the Camden Palace and the Hacienda which just goes to show that people are susceptible to less mainstream music when it is filtered into their system. Alexander Scott Fraser and Andrew Edward Beer are warm and endearing characters who offset their music with a very personal approach. Their multi-layered pieces are infectious and further examples of their work can be heard on the Cause For Concern cassette compilation 'A Sudden Surge Of Power'. Future projects include a contribution to the next Touch cassette and plans are afoot for further record releases. 400 Blows are an experience which is growing and they can be contacted through Concrete Productions at 47, Oak Avenue, Shirley, Croydon, Surrey, CR0 8EP.

FRA LIPPO LIPPI: Originally a trio FLL released a single on their own label before moving to the Dutch Uniton label. The beginning of 1982 saw the release of their debut LP for the label 'In Silence' and more recently they have put out a single 'Now And Forever'. Quite mainstream with definite songs they have an underlying power in their use of recurring melodies.

STEVE FROST: British based synth player drawing on both German and French influences to produce an accomplished, often sequencer based, sound which still retains its subtlety. Almost classical in its delivery, his 'Soundscape' cassette (#2.65 from Mirage) shows that there is still life in the UK as far as non-pop synth music is concerned.

TINA FULKER: Extending the boundaries of poetry, to a certain degree by releasing a thirty minute selection of her work, 'Dial My Number' with off the wall backing tracks by an array of musicians including Pete Becker of Eyeless In Gaza. Further information and tape available from: 20, Frith House, Frampton Street, London, NW8.

PHILIP GLASS: A graduate of the Juilliard School of Music, Glass has been the recipient of numerous awards and his search for non-westernised music has led him to Central Asia and India. His music is distinguished by its repetitive structure and special style of construction. Playing with an ensemble, he has done numerous concerts in Europe and the USA and is most in context on his longer pieces - e.g., the 4 hour 'Music In 12 Parts'.

GORP: Easily dismissed as Pigbag style funksters Gorp arrived amidst a blaze of press at their Beet-Bop Club last year. But riding in on the new jazz ticket they weren't really telling the whole story. Even their recently released 'Wild Men' LP only partially tells the tale of their activities. Basically seven different personalities who are constantly pulling against each other. The result of this internal activity is a hybrid dance music which adheres to no boundaries. Gorp are important, but as they admit themselves, they'll probably be cited as influential in years to come but have years of torment in the meantime.

GROK: Magazine compiled by David Minshall which concentrates on the seedier side of life as well as looking at various music orientated outfits. Issue 3 featured SPK, Monte Cazazza, brain splitting and John Duncan. Issue 4 will feature Paul McCarthy and brain transplants amongst other things. Contact: 52, St Johns Rd, Clifton, Bristol.

HOLY TOY: Originally called Mechanical Grave this Dutch outfit released a 12" maxi single for Uniton entitled 'Perfect Day'. After a line up change - they are now Andrej Dziubek Nebb, Bjorn Sorkness, Sven Kalmer and Rolf Wallin - they set about working on their debut LP which will be released in Britain this month. A powerful and emotive release 'Warszawa' fuses traditional Slavic music with electronics and sounds which are straight out of 'Eraserhead'.

HUMAN FLESH: Collage of music from all over the world played by many different people. The whole thing is put together and co-ordinated by Alain Neffe. Tracks on various compilations and a cassette on the US label Aeon Tapes.

INKEYS: Tape magazine which acts as a valuable sampler to new releases in the world of European synth music. Compiled, produced and mixed by Jeanette and Dennis Emsley it's what SFX should have been like with sample tracks from next albums and interviews with some of the artistes overdubbed. As a guide to new releases it's essential with a great selection of music and snippets of information on the relevant artists. Issue 3 is out now and features Bernard Xolotl, Colin Potter, Neuronium, lan Boddy, Sea Of Wires and a host of others. Issue 4 will be out in May and further information can be obtained from Inkeys, 50, Durell Rd, Dagenham, Essex, PM9 5XU.

IN PHAZE: Run by Pat Bermingham who set up a four track in his garden shed and started recording bands who he liked. A few years on they've got a healthy catalogue of cassettes and records, all of high quality, and moved to a penthouse in Ilford. Material varies in musical direction but having recorded the first Marine Girls cassette LP that's definitely a good point in Pat's favour. Other artists with material on In Phaze include the Moscovite 5, Legendary Pink Dots, Bona Dish, Solid Space and Portion Control. Contact: Top Floor, 737, Eastern Avenue, Newbury Park, Ilford, Essex.

IPHAR: Cassette label concentrating mainly on Consumer Electronics (see Power Electronics). Contact: 30, Dunster Gardens, Nailsea, nr Bristol, Avon.

I SCREAM: Anthology material from Alain Neffe recorded between 1972 and 1978 which appears as a cassette on DIA (see DIA).

DAVID JACKMAN: A history lesson: "I wouldn't claim to have released the first indie cassette (I wouldn't dare) but I was certainly one of the first. I'd done this piece with a cymbal which had hundreds of pinging sounds in it and I liked it. With the idea that finishing a piece of music included finding an audience for it, I made 10 copies and took five to Rough Trade where, to my surprise, they bought them off me. I think that was in early '79 and from then on I did a lot of work using loop tapes often making quite complex pieces of collage sound." Working with Phil Sanderson (see Snatch Tapes), Jackman released a series of cassettes which he hoped were "interesting and creative in musical content" and since '82 he's had his own label, Aeroplane Records, which has so far consisted of cassette only releases. With a background of serious experimental music in the Scratch Orchestra ('69-'72), Jackman did "nothing" until the arrival of punk which he felt had the "same excitement that rock 'n' roll had in the mid 50's". Concluding his work with loop tapes Jackman has an LP ready for release (hopefully) and has recently been involved in some experimental "but accessible", piano music. Aeroplane Records c/o 112, Elm Grove Road, London, SW13.

ARIEL KALMA: Several cassettes releases available through Mirage (see Mirage). From the Mirage catalogue: ARIEL KALMA 'Bindu' (import) Ariel's second cassette of 'Love And Dream Music'. To say 'Bindu' is beautiful is an understatement. Ariel conjures up images of erotic sound with ease and employs piano, flute, zither and other exotica to weave a warm tapestry of flowing music that engulfs the senses.

KONSTRUKTIVITS: After several releases through Flowmotion under his own name Glenn Wallis' first LP 'A Dissembly' was released through the label this month. Using electronics as a base and tape loops and percussion on top it's a powerful statement. Already a second LP, as yet untitled, has been put together with the assistance of members from Bushido, Chris And Cosey and various other luminaries. Showing a healthy understanding for the theory of power electronics and subsequent music forms it's not as upfront as his first effort but finally more rewarding.

LAIBACH: Suppressed by the cultural association in Yugoslavia Laibach are "the only interesting group in the country' claims Fritz of 23 Skidoo. Recently arranged a Yugoslavian tour for themselves Skidoo and Last Few Days. (Further information coming soon).

LAST FEW DAYS: Originally consisting of a nucleus of Dan Landin, Si Joyce and Keir, augmented by Fritz and Sam from the early 23 Skidoo, LFD did a string of appearances at the Scala cinema where they always insisted in going out at 7 in the morning. Their music was harsh but emotional and supremely danceable. With the success of Skidoo they were trimmed down to their present 3 man line up and opted to rehearse and play the occasional live gig - the Final Academy and Heaven - rather than release any recorded material. A recent tour in Yugoslavia with Skidoo and Laibach saw them release some material over there but there are still no plans over here although several avenues have been opened. LFD are out on the edge preferring to keep a low profile rather than become involved in any movement, their music has developed immeasurably. Their use of string instruments, effects and their megaphone vocals has left audiences confused but always interested. Having supplied several pieces for the Psychic TV video 'Polavision' there is a possibility that more will be heard of them soon. From brief extracts that I've heard the wait will have been worth it (watch these pages for an interview).

LAUGHING HANDS: Life in Australia. Started as an improvising quartet in 1980 and are now a duo. Track on the Selektion LP 'Masse Mensch'. Contact: 287, Rae St, North Fitzroy 3068, Australia

THE LEGENDARY PINK DOTS: Unique London based outfit who mix experimental music with a touch of Psychedelia - and almost everything else you can imagine - to produce an ultimately unique sound. Fronted by the enthusiastic and knowledgeable Edward Ka Spel the group lives its music out to the full and as a result have numerous cassettes available through labels all over the world. Their debut LP, 'Brighter Now', is a valid starting point (available on In Phaze) with Syd Barret style doodlings well in evidence. Numerous tracks on compilations also show the variety that the group possesses. A new LP is currently in preparation and you'll be able to read more about LPD when that comes out. Although they're not as outright and alarmingly 'different' as a lot of their contemporaries it would be foolhardy to ignore LPD as they have produced some important and sadly unrecognised music over the last few years. LP on In Phaze, contributions and cassette releases from Ding Dong Discs, DIA, Illusion (through DDAA), Third Mind and others. Contact through In Phaze.

THOMAS LEER: Like Robert Rental and Daniel Miller came up through the independent circuit and produced a number of good releases. Now signed to Cherry Red his 'Contradictions' LP of last year sold well and a new LP is scheduled soon. Collaborated with Robert Rental on an LP for Industrial Records.

THE LEMON KITTENS: Consisting of Karl Blake and Danielle Dax, the Kittens trod the ground of avant-garde rock for several years while flirting with the building DIY scene. A first single on Step Forward was followed by an LP and 12" on United Dairies (all probably now deleted) and an LP, 'The Big Dentists', on Illuminated this year. Having finally split up both artistes currently have solo LP's available.

LOTUS RECORDS: Mail order outlet specialising in electro-synthesiser releases from all over the world. Contact: Lotus Records 23, High Street, Newcastle-Under-Lyme, Staffs.

LUSTMORD: A character indeed is Brian, a man amongst men. First LP on Sterile was recorded and mixed in 8 hours. Sold out now there are plans to re-release it on Presence Records in the USA. Still available though is 'Lustmordekay', a C60 document of the first year of Lustmord (see Sterile). Various tracks have appeared on compilation tapes and Brian is now working on something for the upcoming Twin Vision compilation video. He'll probably be doing a speech about the rest of the tape. Recently involved in the recording of a disco 12" with Chris And Cosey and as a third member of SPK his plans for the future include a collaboration with Konstruktivits, a new LP entitled 'Paradise Disowned' - exploring the sinister broodier side of his music - and a magazine which will not just concentrate on music. Although Lustmord music can verge into being extreme, Brian has the urge - following his work with Chris And Cosey - to record a disco album. Whatever he gets up to you can assure yourself that it will warrant investigation and without doubt be well worth it.

MAL: A pseudonym for the solo efforts of Daniel Malempre who hails from the heavily industrialised Charleroi in southern Belgium. Also part of Subject and Human Flesh he has released one cassette as MAL through DIA (see DIA).

CARL MATTHEWS: From Cumbria and with an almost cosmic view of his work. Matthews, although ranting about 'taking people to a higher level', does come up with the goods. Concentrating on guitar and keyboards his greatest successes are his longer pieces where he builds songs and works into them. Five cassette albums are currently available through Mirage (see Mirage). 'Aksu' is the most immediately appealing - moody Vini Reilly guitar at times - but his latest, 'Iridescence' shows a maturing of his sound and demands investigation.

MB: Maurizio Bianchi has released eight albums in 18 months. From Italy he started working in 1979 using pre-recorded filtered sounds and in 1980 he bought his own electronic equipment to "produce technological sounds to work for a full awareness of modern decadence". Leading exponent in the Power Electronics field (see Power Electronics) MB deals in noise of the most extreme qualities. LP's available for £6 each including post and packing from MB at Via Tiriano N13, 20145 Milano, Italy.

MECHANIOUE VEGETALE: Once devoted a C60 cassette to the sound of electric razors. After going through an Eno ambient phase re-emerged as Glamour For Evening on the DIA (see DIA) compilation '4 in 1'.

MECANO: (Holland) Formed in late 79 and with a string of releases already out Mecano have trodden the boards of experimentalism but always kept it on a pretty even keel by way of the rock base from where they arose. They're a schizophrenic outfit, at one minute quite accessible, at the next trying to do something totally different. Their recent LP 'Autoportrait' even shows a hint of the classics thrown in. Consisting of Cor Bolten, Dick Polka and Theo Bolten they have 3 singles, 2 12"ers and 2 LP's out. Recent work has been on the Dutch Torso label. Contact: Torso, Wamelplein 165, Amsterdam, Holland.

MERZBOW: (Japan) Duo consisting of Masami Akita and Kiyoshi Mizutani they have released numerous cassettes on a small scale and an LP 'Material Action 2' through Easter Works (see Eastern Works). Seeing themselves as rock musicians rather than experimentalists they have in fact, managed to create a selection of interesting sound collages using found and manufactured tapes and noises. Motto: 'Lowest Music and Arts'

METABOLIST: Oddball outfit who disappeared a couple of years ago. Their strange fusion of punk spirit and the avant-garde brought about an aggressive style of music which was displayed to its fullest potential on their LP, singles and cassette album on their own Dromm Records. Two members of the group have recently re-emerged on an album entitled, simply, 'Max And Malcolm' where the sound is more emotive and electronic.

METAMORPHOSIS: Impressive 4 piece from Nottingham whose ideas and performance are pretty unique. Energetic and accessible new dance music with an array of instruments - including glockenspiel, clarinet, trumpet, etc. - over powerful rhythms. Their early music shows a new angle on the Skidoo brand of fiery dance music and a strong feeling for ambience. Already they have moved on and developed a new sound of their own which will be displayed on their forthcoming Flowmotion releases - a retrospective cassette and a new LP. Consisting of Jonathan Tait, Matthew Collin, Meloni Poole and Nick Cope, their musical progression - the most important aspect of their existence - is reproduced in words and pictures in a series of small scale publications put together by the individual members - 'Y', Mobray Product, 391 and Hiatus. Metamorphosis are one of the most exciting new groups to emerge for a long time. Contact: 64, Main St, Keyworth, Nottingham, NG12 5AD.

MFH: Consisting of Neumusik supremo David Elliot and Andrew Cox they've released four tapes through the magazine. The latest of these offerings being 'Ground Zero'. A good mix of electronics a la TG and a smattering of the commercial thrown in for good measure. Worth further investigation. Andrew Cox also has several solo tapes available through Neumusik, his 'Hydra' features harsh experimental electronic music produced by either electronic or synthetically treated acoustic instruments. Pretty blood- curdling.

MIRAGE: Run by the enthusiastic Martin Reed, Mirage for some time produced an infrequent magazine which acted as an essential foil to his record and tape distribution service. The magazine seems to have been temporarily shelved but the Mirage cassette label is still highly mobile and there are plans to release the first Mirage LP at the end of the year. Recent additions to the distribution side include material by Pete Becker from Eyeless In Gaza, Ariel Kalma, Robert Banks and many others. From Mirage itself comes new recordings by Ian Boddy, Steve Frost, Carl Matthews, Naif, Colin Potter and a compilation tape, 'Reflections', which features Ariel Kalma, Colin Potter, Rieg and Carl Matthews. A whole host of contemporary synth music is available through their back catalogue which only goes to show that that field of music doesn't stop at the end of Klaus Schulze's keyboard. There is obviously an enormous demand for this kind of music and it is heartening that people like Reed and Neu Musik (see Neu Musik) try to make the material available in this country. Contact: Martin Reed, 614, Southmead Road, Filton, Bristol. BS1Z 7PF

MONA MUR: Defected to the west when her Russian classical dance ensemble toured Germany. Previous work in Russia in her group Brygida Krewna - Bloody Brigitte - had been suppressed by the authorities. Befriended by the local Hamburg musicians she appeared with a group made up of members from Einsturzende Neubauten and Abwarts and eventually recorded a Maxi 12" (see Rip Off).

MUSIQUE CONCRET: London based duo consisting of James Ross and MJ Mullen. Their 'Bringing up Baby' LP on United Dairies, like all UD releases, is nothing like you've heard before. The whole thing feels - rather than sounds - like it's going to float off the record player as, through the use of echo and delay, notes recur, slipping in and out of focus. Their next project which is in the planning stages will feature collected tapes from TV and radio and should, if it's produced in the same manner as their first, be essential listening.

MUSLIMGAUZE: New name for Bryn Jones formerly EG Oblique Graph. First material available as of now, is an LP entitled 'Kabul' which, although recorded on a 4 track cassette machine, is of high quality. Jones concentrates on rhythm with small pieces of speech and instrumentation creeping in. The pulsing soundtracks retain an immediate, direct quality which never lets the subtlety of the overlaid instruments suffer. Forceful and essential, a new sound. Contact: Kinematograph Records, 447, Chorley Road, Swinton, Manchester. PAUL NAGLE: Well played, produced and written electronic music of a highly melodic nature. I'm reliably informed that his Neumusik cassette 'The Soft Room' sounds like a cross between Richard Vimal, Peter Baumann, Micheel Garrison and Edgar Frosse, with a little touch of Roedelius thrown in for good measure.

NAMEDROP RECORDS: Small struggling indie label who have managed, against all the odds, to release some pretty hot material. NR1 DOOF 'Exist' A 10" mini-LP which, in its anarchic composition, displays the talents of Paul Platypus and Philip Johnson. NR2 TWELVE CUBIC FEET 'Straight Out Of The Fridge' Again pretty anarchic but the beauty of 12CF is their ability to write good pop songs. NR3 PHILIP JOHNSON 'Youth In Morning' The first LP from Philip who, over the last few years, has released a selection of cassettes. Carrying on his highly individual reading of music it's an experimental high done on limited resources and the most challenging Namedrop release.

NANAVESH: Magazine of high quality which concentrated initially on Throbbing Gristle. With their demise it moved onto Psychic TV and sporadic publications will appear whenever finances allow. For now there is a retrospective tape of Throbbing Gristle entitled '23 Drifts To Guestling' which is basically a magazine on tape. It contains an interesting insight into TG with messages from their ansaphone, some material, an interview with Genesis following the 'Prostitution' exhibition at the ICA, an interview with Gary Gilmore, a chat between Genesis and Monte Cazazza, bits and pieces of songs and a few death threats over the phone. It makes compulsive listening because it's so strangely put together and it's a good insight into the character of Mr P-Orridge. Contact: Navavesh, c/o IHAM, 54, Belmont Road, Beckenham, Kent, BR3 4HN.

MARTIN HOWARD NAYLOR: After a brief flirtation with classical music Naylor built his own synth and started experimenting with sound. Setting up his own cassette/video label, Sorcerer Sound Productions (34, Bassingham Road, Wembley, Middx) he developed his own sound system and becoming a member of the London Musicians Collective he began to experiment with eastern instruments. A sample of his work can be heard on the Cause For Concern cassette compilation 'A Sudden Surge Of Power' (see CFC) and information and other tapes can be obtained direct from SSP.

NEUMUSIK: Magazine put together by David Elliot and featuring everything from views on Italian industrial music to features on synth oldies (style wise) like Rolf Trostel and Neuronium. A well written and researched affair which is hardly surprising as David spent some time in Europe studying music. Parallel to the magazine David has also put out a wide ranging catalogue of cassette releases on his YHR label from all over the world. The catalogue features material from MFH, Andrew Cox, MB, Peter Schafer, Paul Nagle, Duallien, Gunter Schikert and numerous others. Thirty-one releases in all they are all reasonably priced (under 3 quid) and available from Neumusik at 128, Cedar Drive, Chichester, West Sussex.

THE NEW BLOCKADERS: Serious avant-garde tape music from this group based in the north of England. Two LPs and several cassettes already available and plans for a release through Gordon Hope (see Gordon Hope) later in the year. Contact: Beehive House, North Broomhill, Morpeth, Northumberland.

NEW 7TH MUSIC: From a nucleus of 2 and at times up to 10 people, New 7th Music began work in '79 as an experimental outfit. Several tapes have been released and all music is improvised and recorded live. Tracks on Cause For Concern compilation (see CFC) and the Recloose Organisation's 'Sudden Departure' LP. 'Ghosts Among The Weeds' and 'Modella' are available from MFM, 40 Thompson Rd, Langley Green, West Midlands. Contact: 54, Mill Park Rd, Nyetimber, Bognor Regis, W. Sussex.

NOCTURNAL EMISSIONS: Formed from the remnants of the Pump and originally a 3 piece - now a duo consisting of Caroline K and Nigel Ayers. Three LP's and a couple of cassettes through their own Sterile Records (Contact: see Sterile) and contributions to compilations on Trax, Third Mind and many other labels. To support their recorded output they have a healthy contact system through Sterile, an irregular magazine - Tract - and have released a video. Formed from Nigel and Caroline's desire to hear music that they liked NE are mainly involved in research in various areas. Working in a musical field with that attitude has meant that they constantly have to move on and their recorded output has reflected this. Numerous live appearances abroad have secured a healthy following but over here they have been restricted and opted for rather obscure venues including a disco, a railway arch in Brixton during a riot, a crypt and an artificial cave. Unorthodox, yes, but so is their music. Deep and emotional soundscapes of sound which dissolve into noise-play and occasionally wandering melodies. An interview with Nocturnal Emissions will be featured in Sounds in the near future.

NON: As Non Boyd Rice has produced some of the most imaginative and difficult music ever. Hailing from California, one of his earliest claims to fame was for being arrested after attempting to give Senator Ford's wife a mounted goat's head at a public function. His first recording, an untitled LP available on Mute, dealt in relaxed soundscapes which meandered effectively but with his discovery of loop spiral records his next EP and eventually the LP 'Pagan Muzak' were much nearer the knuckle. The technique on the LP consists of 17 looped tracks on a seven Inch disc which you can leave playing for as long or as short a time as possible. The effect can be tranquillising or shattering. The tracks from the EP can be found on Mute as one side of a seven inch record with Smegma and the LP is still obtainable on import. Both can be played at any speed and have an alternative middle. Continuing his research into sound, Boyd's appearance at the Lyceum Fetish night saw him setting off several delay units which repeated the original signal in a gradual decay. The effect of this collage-like technique, which continually changed throughout his short set, was recorded on his world tour of that time and a 12" is available on Mute with an LP to follow shortly. Boyd Rice's dabblings in delay and spiralled sound have been influential to numerous people (note the tape loops that appear on Skidoo records and a host of others) and there is also an LP which was recorded two years ago, a collaboration with Fad Gadget. The release of that should see an important bridge between the music of Non and a more mainstream approach.

NURSE WITH WOUND: Having been around since the late 70's NWW have been the mainstay of the United Dairies label. Steve Stapleton and John Fothergill's ambitious project to create and release music that no-one had heard before has provided a selection of experimental but adhering music over their 5 LP's. The garish graphics and oddball name was a conscious effort to attract people who might want to listen to something out of the ordinary and although this may have put some people off it has surely created a regular market for their releases. Stapleton is a compulsive listener with an excitable encyclopaedic knowledge of the genre. With his constant desire to discover new things and his healthy respect for his predecessors he has managed to always stay one step ahead with NWW and produce a selection of music that you would never be able to hear anywhere else. Sure, they want to reach a wider audience - at the moment it's the public's loss - but they have no intentions of toning down their material or making compromises and they never should. You get a feeling with NWW that they'll never quite reach a mass audience but in years to come they'll be looked on as the inspirational force that they surely are. Why wait? (Contact: see United dairies).

OBSCURE RECORDS: Set up by Eno, initially as a cut price outlet for his more esoteric work, the Obscure label developed into an important dictionary of the avant-garde which, probably due to lack of funds, was never quite as comprehensive as it should have been. Concentrating on the likes of Gavin Bryars, David Toop, Steve Beresford, the Penguin Cafe Orchestra and artist Tom Philips amongst others, the music was diverse and never predictable. The immediacy and importance of the project was somewhat diluted because the featured acts were never outrageous or image conscious enough to attract sufficient press but the music, for those who managed to locate it, was always worth the trouble.

MARTIN O'CUTHBERT: Somewhere on the edge of experimental music where, with his Esoteric record label, he has managed to release at least half a dozen EP's and finally, this year, an album. He's eccentric, make no mistake, and his style of throwing the oddest of sounds against each other is quite unique at times. 'For Alien Ears' is available from Esoteric, 33, Barberry House, Shannon Road, Kings Norton, Birmingham.

OPERATING THEATRE: With an LP released on United Dairies and no other information available, Operating Theatre are exactly as their name suggests. Over the 2 sides they manage to dissect every day life, everyday noises and rebuild them like some disturbed sculptor into a soundtrack. It, 'Rapid Eye Movements', is without doubt one of the most exhilarating LP's and unorthodox concepts ever to be submitted to vinyl. Contact: (see United Dairies)

P16 D4: (Germany) One of the hardest attacking groups in Germany in 1980 were PD but after personnel changes they became P16 D4. Dubbed anything from jazz/free music, heavy metal/psychedelia and industrial/musique concrete they have, since '81, strengthened their sound. Long improvisations were discarded for shorter severe tape compositions. Tracks are featured on the Selektion (see Selektion) compilation 'Masse Mensch' and Selektion have other releases by the group available.

'PERSPECTIVES AND DISTORTION': Cherry Red compilation released in 1981 and focusing on 'the curious no man's land between the areas of rock and avant- garde'. Still available it features tracks from the formative years of a host of artistes including the Virgin Prunes, Lemon Kittens, Eyeless In Gaza, Two Daughters, Thomas Leer and David Jackman.

PLASTIC BAG: Electronics with a commercial bent which owes more to Dr Who than Tangerine Dream or the Human League. Loose, but at times, quite alarming sound effects and keyboard passages are usually topped with treated vocals. One tape available from Cause For Concern (see CFC) entitled 'Hop The Twig'.

PORTION CONTROL: London based trio who've been together since 1980. Starting work in the studio primarily, they released a 12" (deleted), 'With Mixed Emotions' (cassette) and an LP, 'I Staggered Mentally' through In Phaze (see In Phaze). With a successful European tour under their belts - "the audiences over there are much more receptive" - they are currently working on their next LP. With a healthy regard for their contemporaries Portion Control admit freely that they aren't in any way that extreme and from hearing their music it's easy to pick up that they, probably more than any, are the most likely to break through on a commercial level. Also in progress at the moment is the first Portion Control video which they are compiling from material from over the past few years, having already contributed some images to the forthcoming Twin-Vision compilation tape. Another European tour is scheduled for the summer and already several people have shown an interest in the group with regard to releasing future material. Although still taking risks Portion Control manage to retain a commercial edge that will surely see them through to a much wider audience.

COLIN POTTER: Two tapes available through Mirage. His latest, 'Here', displays his electronic prowess coupled with harmonium, glockenspiel and tenor recorder. One of the upcoming names on the British synth music scene.

POWER ELECTRONICS: The ultimate in noise. Gary (Broken Flag): "Neungamme (a compilation LP on the Broken Flag label) features the leaders in the field of Power Electronics! "What people don't understand they are afraid of and what they are afraid of they simply push away." JC John (director of Come Organisation) "The listeners of these records will always enjoy the most intense reactions of all. Because they are the most repulsive records ever made." For whatever reason they may have the people involved in power electronics nave several things in common. Visuals depicting death and debauchery surround all of the groups. Whitehouse's glorification of mass murderers and sexual perversions has lost its shock value after seven LP's and numerous paraphernalia and their fascist overtones make it even more difficult to take them seriously. Getting down to the 'music' there are glaring similarities too. Broken Flag's 'Neungamme' LP features ten bands but even with that chance of variety it all sounds the same. Individual tapes and records by the groups also have no differentiating qualities from what is basically just noise from start to finish. Remarkably the Come LP's are rumoured to sell really well, mostly abroad, but realistically if you've got one there's no need to invest further. If you can live with their dubious presentation and repetitive and predictable ramblings then fair enough. I can't.

PSEUDO CODE: "We play potlatch music which is emotional music, or more accurately emotional sounds, because we are not musicians." With 2 EP's and 2 cassettes released the group has been temporarily shelved while Alain Neffe concentrates on Bene Gesserit.

PTOSE PRODUCTIONS PRESENTE: Ptose Production, the group, began in '79 when they recorded a cassette album and gave it away to friends. The response was so good that they decided to set up PPP and release more tapes. As their reputation grew people from all over the world began to write to them. Thus began the series of releases 'Assemblee Generale' as well as their own material. PP's music is strong and electronic but with humour and a definite commercial bent. Their regard for electronics is nicely balanced against 60's guitar style which occasionally verges on the funky (note their version of Tom Tom Club's 'Wordy Rapping Hood'). Their recent 'Assemblee Generale 3' featured Cosy Corner, DDAA, Geso, What Is Oil?, DZ Lectric, Camera Obscura, Les Chats and numerous others. It's available, as are their cassettes, from Ptose Production Presente, 12 rue Chabaudy, 79000 Niort, France.

RADIO FREE EUROPE: Since the release of their LP 'Laughoncue' in 1981 the members of RFE have been involved in putting together soundtracks for films and Stephen Miller has recorded some solo material. Their LP, which was released over here by Armageddon Records, disheartened the group somewhat as the label refused to answer any of their letters and they ended up losing out financially. Undaunted by this record biz behaviour RFE plan to take up the gauntlet once more and new material from the group is expected this year. Copies of their LP should still be available in the shops, and the group can be contacted at PO Box 5421, Austin, Texas, 78763 USA.

RECLOOSE ORGANISATION: Centred around Bourbonese Qualk the label has released various records and cassettes and is currently in the process of building recording and live premises in south London. With contacts all over the world involved, the music which has come out of the organisation so far is of a particularly high standard. Releases of note: BLADDER FLASK: 'One Day I Was So Sad That the Corners of My Mouth Met and Everyone Thought That I Was Whistling (EP) VARIOUS ARTISTS 'Sudden Departure' (LP) includes contributions by Philip Johnson, Paul Kelday, Bourbonese Qualk, Bladder Flask, New 7th Music, La Fondation, EG Oblique Graph, Peter Northz and Lol Coxhill. Coming soon an LP by Bourbonese Qualk. Contact: 167, Choumert Pd, London, SE15.

RECOMMENDED RECORDS: At a starting point of the sadly neglected European music scene, Recommended Records have branched out to release or at least distribute music from all over the world. Their 'Recommended Records Sampler' from last year features a wealth of talents that they have become involved with and is an essential buy for anyone wishing to investigate further. The double album contains tracks from Faust, Stormy Six, The Work, Decibel, The Muffins, Hector Zazou, This Heat, The Residents and many more. Their current catalogue includes (a selection): Kassiber 'Man Or Monkey' (Germany) Wha Ha Ha 'Wha Ha Ha' (Japan) Harry Partch 'The Bewitched' (USA) Debile Menthol (Switzerland) Plastic People '100 Points' (Czechoslovakia) Poznan Percussion Ensemble '4 Pieces' (Poland) A Glazunov 'Music For Saxaphone (USSR) Contact: (For lists and record prices) Recommended Records, 387, Wandsworth Road, London, SW8.

STEVE REICH: Like Philip Glass, respected for his work and although not recognised as a direct influence he has obviously inspired people. Numerous albums available.

THE RESIDENTS: Secretive San Franciscans who, in their unorthodox approach to recording and writing material, have been highly influential. Without ever allowing their music to become predictable they managed to display the kind of humour and realism that a lot of their later imitators could only dream of.

ROBERT RENTAL: Early second generation British experimentalist who followed in Daniel Millers footsteps and in fact recorded a live LP with him for Rough Trade. Also involved in an LP collaboration with Thomas Leer for Industrial Records.

RE/SEARCH: San Francisco based magazine which has featured many excentric artists including Non, Factrix, SPK, Monte Cazazza, Z'ev and many others. It's brash and exciting layout goes hand in hand with its unorthodox approach and, as a magazine, it works extremely well as an informative guide to what some unorthodox practitioners are up to. After several issues the editors produced a book about William Burroughs, Brion Gysin and Throbbing Gristle and future plans include books on cartoonists and a guide to industrial culture.

RIP-OFF RECORDS: German distribution and mail order service. Material available includes Einsturzende Neubauten's LP 'Kollaps' and other releases on the Zick-Zack label. Also the Super Max series of 12" records including material by Christiana, Mona Mur and Alexander Von Borsig. Contact address: Rip Off, Rambachster 13, 2000 Hamburg 11, West Germany.

'RISING FROM THE RED SAND': The compilation tape that has opened the floodgates for a different kind of music to enter your kitchen. A 2xC60 package in nifty plastic wallets which features an array of groups who can only justify, without doubt, this feature. Available from Third Mind (see Third Mind) it features classic cuts from numerous bands without a duff track (well almost) included. Essential listening and a good intro to the likes of Chris And Cosey, Attrition, Legendary Pink Dots, DDAA, Nurse With Wound, Test Department, Lustmord, Un Department and a host of others.

ANDRE DE SAINT-OBIN: (Holland) Working as a solo artist he has recorded a cassette, 'Sound On Sound' and a single 'Human Machine' for Ding Dong Discs. Whilst working on a new cassette recording Andre has been putting together a group for live appearances. Playing everything from guitar, bass, drums and keyboards his unique sound of effected instruments is powerful and abrasive but never unlistenable (see Ding Dong Discs).

SCHLEIMER K: With two releases of high quality under their collective belts this London based outfit disappeared for some time but have finally returned with an LP entitled 'Wounded Wood'. In search of someone to put it out there should, hopefully, be the opportunity for a wider audience once that task is successfully completed . Their earlier work - an LP on Omega Records and a 12" on Glass - was merely a stepping stone and this new product is a coming of age for their ideas. Rough cut electronics with a generous smattering of effects backs the highly individual vocals of Michael Wolten to provide an almost commercial reading of their talents.

EL SECRETO METRO DU BARCELONA: Comprising of Peque Lino, Victor Nubla and Anton Ignorant, Secreto Metro seem to be the mainstays of the UMYU organisation in Spain (see UMYU). Nubla himself is also involved in outfits with diverse names such as FSM, Los Hablandons, NAIF - cassette out on Mirage - Boris and Macromassa. All of the groups have degrees of similarities moving from free jazz improvisation to avant-garde noise mongering. There's the inevitable varispeed doodlings and lots more besides.

SELEKTION: Label from Germany who have concentrated on more extreme music. Several cassette releases include material from P16 D4, LLL, Permutative Distortion, Pari Kekonnen and Der Letzte Tango. Most notably they've released the sadly ignored international compilation 'Masse Mensch' which features tracks by Nurse With Wounds, P16 D4, Laughing Hands, DDAA, Smegma and the Work. Contact: R. Wehowsky, Wistrmg 27, 65 Mainz 1, West Germany.

MARK SHREEVE: An aspiring architect from Enfield, Shreeve was an infant ivory tinkler who saw the light back in '73 when he first heard Tangerine Dream on John Peel. Unable to read or write music his technique of sitting behind a synth until he came up with something interesting has resulted in four cassette album releases - 3 on Mirage and one on the Dutch Ajistajon label (all available from Mirage) - as well as an LP, 'Thoughts Of War' on the Uniton Label. Touching on the classics at times Shreeve's use of tape loops and noise effects makes his long pieces intriguing and at times emotional with recurring melody lines.

SIRIUS B: Consisting of Ian Barrett and Alan Harvey, Sirius B are from Leeds and have been in existence since the beginning of 1982. Concentrating mainly on recording the duo have released one tape 'Death Of A Seduction' which is available for 85p. Compared to anything from Cabaret Voltaire to Hawkwind, Sirius B in fact retain a certain charm and individuality that is quite refreshing. The tape has sold reasonably well and the next step, when enough interest is created, is to get something onto vinyl - although they still stand by the validity of the cassette medium. Contact: 15, Sandway Gardens, Crossgates, Leeds 15, West Yorks.

SKY RECORDS: The home of European synth music some years back with releases from Eno, Michael Rother, Wolfgang Reichman, Cluster, Roedelius, Mythos and numerous others. Dealing in an area that has been somewhat forgotten in this country, sales were inevitably better abroad and this side of experimental music took somewhat of a backseat to the likes of Cabaret Voltaire and the eventual rise of your Human League etc. Still in operation but lacking the breakthrough, a lot of the new synth artists are being handled by Mirage and Neu Music in this country and Eurock in the States. A new generation of artists has arisen making the Sky releases very interesting in comparison.

DON SLEPIAN: Cassette 'Sea Of Bliss' available from Mirage. Mirage: "This recording represents one of the most beautiful pieces of meditative music I've heard in a long time. The music is performed on an advanced digital synthesiser and further recordings will be made available later in the year." (see Mirage)

SMEGMA: One of the few American bands who are attempting anything new. Two tracks featured on a side of a Mute 7" shared with Non and a track on the Selektion LP 'Masse Mensch'. Contact: HC Poole, 76 NE Thompson, Portland, OR 97212 USA.

SNATCH TAPES: Cassette label, run by Philip Sanderson, which has tapes featuring material by the Lemon Kittens, Sea Of Wires, David Jackman, Cultural Amnesia, the Storm Bugs and various other artistes. Also the home of Aeroplane Records (see David Jackman). Contact: Snatch Tapes, 112 Elm Grove Road, London, SW13.

SPK: From Australia but residing in England at the moment. The mastermind behind the whole thing is Graeme who along with Dominik formed the group in '78. Members now are Graeme and Sinan, although other people, notably Lustmord, have assisted recently. Graeme: "From the start I've always had a negative way of working where I always rejected 90% of the things I came up with, simply because they sounded like someone else. It's extremely important to have an encyclopaedic knowledge of what's gone before." Extracts from a conversation with Graeme: "The first album was a classic ultra noise album, I suppose, and the next one was more constructed, tape experimentation. "I think I was originally influenced by Neu and Can but the one influence I have really is isolation. "When SPK started I was working as a psychiatric nurse and in Germany SPK stands for Socialist Patients Kollective which was a group of patients in Hidleberg who were making an important parallel between sickness and capitalism. We thought it was a good name because we wanted to use that kind of medical deviant imagery. It was a totally opposite step from what Throbbing Gristle were doing. They were taking the Manson's of this world and making them heroes and I thought it was a mistake because it was like the Sunday newspapers making stars out of these people. "What we were trying to say was that it wasn't some kind of marginal thing, it was central to the whole society." SPK music has varied over the years, latest recordings reveal a hybrid of metal percussion and underlying noise - e.g., the 1982 LP 'Leichenschrei' on Thermidor in the USA. Their first LP 'Information Overload Unit', 'Leichenschrei' and a new 12" 'Dekompositiones' are all currently available from Rough Trade and an interview with SPK will be featured in Sounds in the near future. SPK also stands for Surgical Penis Klinik and SEPPUKU.

STABMENTAL: Magazine put together by Geoff Rushton (now involved with Psychic TV) which concentrated on post-industrial music. Now defunct.

STERILE RECORDS: Home of Nocturnal Emissions and set up by the group's Caroline K and Nigel Ayers to release music that they wanted to hear. RECORDS Tissue Of Lies (Nocturnal Emissions) LP (deleted) Fruiting Body (Nocturnal Emissions) LP Symphony For A Genocide (MB) LP (deleted) Lustmord (Lustmord) LP (deleted) Drowning In A Sea Of Bliss (Nocturnal Emissions) Small quantities of the deleted LP's may still be available at your local record boutique. CASSETTES Standard Response (11 international artists) C45 Just Want To Dance (The Pump) C22 Deathday (Nocturnal Emissions) C30 Live At The Crypt (SPK) C45 Whisky A Go Go Live (Nocturnal Emissions) C45 Lustmordekay (Lustmord) C60 VIDEO Bleeding Images (Nocturnal Emissions) VHS 45 mins Information and material available from Sterile Records, 90, Lilford Road, London, SE5.

SUBJECT: Alain Neffe project that has developed a more accessible stance. Three tracks on the DIA (see DIA) compilation 'Four In One'. One track 'I See You' was hailed as the best Belgian pop song of 1982 by the French rock weekly Tele-Moustique.

SURFACE NOISE: New music, progressive, experimental, electronic, avant- garde, microtonal. American magazine concentrating on all of the above with a healthy regard towards independently released material. Quarterly and available from Mirage, or direct, the last issue (no 5) featured Harry Partch, a piece on mellotrons - remember King Crimson? - Roger Trigaux and extensive reviews on Klaus Schulze, Bernard Xolotl, Nico and numerous others. Contact: Surface Noise, 428 Citrus Road, Melbourne, FL 32935, USA.

TACO: Unorthodox outfit from Japan who have a 12" single out via Eastern Works (see Eastern Works). Their use of classic rock instrumentation over a strange disjointed rhythm makes their record extremely effective even though there's a manic guitar solo in the middle.

TEST DEPARTMENT: Probably one of the most important groups to emerge in Britain for some time. Their use of metal percussion as displayed on their cassette 'Strength Of Metal In Motion' has won them many admirers and they have had tracks lifted from there for several compilations. Based in New Cross their ability to get over to crowds, as displayed at the Batcave, and their new version of 'Shockwerk' - which will appear on the Batcave compilation - will win them new friends. True, there is a commercial angle present in their apocalyptic rhythms and it's more than time that the pathetic pop sensibility was smashed down, my bet is that Test Department are the people to do it. Contact: 8, Nettleton Rd, London, SF14.

THIRD DOOR FROM THE LEFT: Formed at the TG/Final Solution/YMCA gig in '79 by Kevin Thorne and Raymond Georgeson. Two cassettes are available through Cause For Concern (see CFC) which displays the earthy potential of the outfit which was never quite fulfilled. Last year the duo split up with Raymond forming Thirsty War Victims and Kevin becoming We Be Echo (see WBE).

THIRD MIND: Cassette label - and soon to be vinyl - which came from the Tone Death magazine and released 'Rising From The Red Sand' - a compilation of new music. With the success of that release Gary Levermore will be releasing cassettes from Attrition, Portion Control and later in the year a compilation LP featuring the Legendary Pink Dots, SPK, Nurse With Wound and Konstruktivits. Another volume of 'Rising From The Red Sand' is in preparation and other releases will be put together when the cash flow allows - watch this space.

THIS HEAT: Trio who were active most notably at the end of the 70's. Releasing two LPs and a 12" single they experimented with sound over a holocaust of rhythm played on a drum kit augmented by bits of metal. Their constant re-appraisal and reworking of their songs live was always an intriguing spectacle. Their first LP stands as a classic of the genre and is still available.

391: Magazine put together by Nick Cope of Metamorphosis as an alternative to the 'run of the mill bands, records, gigs type fanzine'. A compact collection of images varying from contributions about Dada artists to extracts from Thee Temple Of Psychick Youth. A bargain at 20p plus an sae and available from Nick Cope 2, Clifford Close, Keyworth, Nottingham.

THROBBING GRISTLE: Probably as important as the Sex Pistols for enabling people to break through barriers. Whereas the Pistols showed you could just get up and play, TG showed that it didn't have to be a carbon copy of anything. Treading a thin line between acceptance and total hatred, TG released four studio albums that have inspired many. The trick is not to copy but to do your own thing and break down the musical barriers; luckily a lot of people have. Records available through numerous people; a good insight into their history though is '23 Drifts To Guestling' which you can get from Nanavesh (see Nanavesh).

TONE DEATH: Set up by Gary Levermore, Chris Brownett and Vince Shell to cover music that they liked mixed with more acceptable material, so that people would be able to read about more obscure groups. Two Issues so far have covered a variety of essential new groups - issue 3 featured Nurse With Wound, Pseudo Code, Metamorphosis, Konstruktivits, Lustmord, Chris And Cosey mixed in with Shriekback, Aztec Camera and various other more accessible acts. With the release of their 'Rising Sun From The Red Sand' double C60 compilation on their Third Mind label they made a lot more people aware of interesting music that was coming out in Europe. Future plans sees the magazine being even better put together and more concentration on Third Mind. Chris and Gary are also involved in the group Bushido. Contact: 20, Spire Avenue, Tankerton, Whitstable, Kent.

TOUCH: A four man operation hell bent on supplying music and visuals of a higher standard. Their first faltering steps, 'Feature mist', comprised of a booklet and cassette with contributions from New Order, Simple Minds and various others. 'Touch 33', a supplement, is a C60 with one side of ethnic music and a side of experimental music fused in one long piece. Both tapes are essential listening. Future plans include a cassette/magazine featuring (hopefully) Einsturzende Neubauten, Deux Filles, Test Department, Gorp and a host of others. High standard finishing in both sound and vision ensures that Touch will be with us for some time to come and the quality of their contents show even more so the importance of the venture. Contact: c/o 83, George St, London, W1.

TRAX: Italian multi-media label who have released all manner of wondrous stuff. Mail Art, 3D viewing cards, magazines records and cassettes. The Area Condizionata series of cassettes and magazines featured in its first issue Italian radical bands and the seconds should be with us soon. The first LP project had something special about it too. Ten artists were selected from around the world and they sent tapes to each other, each worked on top of the other - maximum of 3 contributors per track - and the results were released. Those involved included Nocturnal Emissions, Enrico Piva, Vittore Baroni and others. The next project is an LP of International anthems from all over the world. So far lined up to contribute are Naif Orchestra (Italy), DDAA (France), Merbow (Japan), P16 D4 (Germany), La Otra Cara De Un Jardin (Spain), Stano (Ireland) and various others. Contact: Vittore Baroni, Via Raffaelli 2, 55042 Forte Dei Marmi, Italy.

TUXEDOMOON: Originally from the San Franciscan Subterranean/Ralph school - Residents, MX80 Sound, Chrome - TM released several albums in the States, one on Pre and following a few London appearances a couple of years ago disappeared to Belgium. As a three piece their sound excursions always had a hint of the commercial about them but since their move to Brussels they have been cut down to a nucleus of two - Blaine Reininger and Steven Brown - with several floating musicians assisting. Their last LP, 'Divine', was the score to Maurice Bejart's ballet in tribute to Greta Garbo and they are currently working with Chinese/American poet Winston Tong. Steve Brown also has an LP out in collaboration with Benjamin Lew on the Crammed Discs label (available through Rough Trade).

23 SKIDOO: From the restrictions of funk to the edge of experimentation Skidoo have never compromised - as displayed on their recent Operation Twilight LP, 'The Culling Is Coming'. Two totally contrasting sides, one live at WOMAD using found metal objects as percussion and the other recorded at Darlington Hall on a gamelan orchestra. There are rumours of a commercial single, they've just completed a tour of Yugoslavia and they are heading off again to Europe for more live appearances. Alex: "Noise has lost its shock value."

TWIN VISION: Set up by Dominik Guerin, formerly of SPK, and Kolleen Ford as an alternative video company, Twin Vision have so far released two tapes with another two in preparation . Twin 1: 'Despair' by SPK retails for œ6 and is rated XXX. Featuring live footage of SPK including the Birkwerz performance and the karnage of the 1982 US tour, it lasts 60 minutes and is punctuated by the ultimate in severed head sensations. Twin 2: Untitled, features two autopsy films with incidental music by SPK. It lasts 60 minutes and goes for œ15. Twin 3: Almost completed is a two hour compilation tape which will sell for E18 and features SPK, Chris And Cosey, Nocturnal Emissions, Lustmord, La Loora from Germany, Portion Control, Die Todliche Doris and various others. Twin 4: 'The Films Of Deadly Doris' by Die Todliche Doris features several films by this excentric German outfit (see Die Todliche Doris). Lasting 60 minute it sells for œ16 and features the near legendary 'Life Of Sid Vicious with a two year old infant in the lead role. All Twin Vision tapes are VHS and can be obtained for the above prices (cheques made payable to Dominik Guerin or Kolleen Ford) which include post and packing from 68, Bonnington Square, London, SW8 1TG.

TWO DAUGHTERS: With a track on the Cherry Red compilation 'Perspective And Distortion' and an LP released through United Dairies, Two Daughters promised so much but have recently been rumoured to have disbanded. Their use of tape loops and disjointed sound made their debut LP an exciting package. If you're out there, get in touch.

UMYU: Spanish label with a healthy roster of experimental/avant-garde music on its books. Releases go back to 1976 and include material from Macromass, Peruchos, Zulian And Ordinas and Secreto Metro. 'The most great not existing organisation' claims their letterhead and the music which they are responsible for suggests that they should be existing (discovered) soon. Contact: UMYU, Tordera, 36, 2, 2, Barcelona 12, Spain.

UNITED DAIRIES: Label run by John Fothergill and Steve Stapleton concerned with groups that they find interesting and different. Over the six or so years of its existence it has released many challenging and essential records and lost quite a bit of money due to lack of support from the media and the high quality packaging are pressing that they insist on, Done purely for the love of the music, most of the releases below are still available (contact: 35, Brackenbury Rd, E. Finchley, London, N2). Catalogue UD001: NURSE WITH WOUND 'Chance Meeting On A Dissecting Table' UD002: LEMON KITTENS 'We Buy A Hammer For Daddy' UD003: NURSE WITH WOUND 'To The Quiet Men From A Tiny Girl' UD004: NURSE WITH WOUND 'Merzbild Schwet' UD005: BOMBAY DUCKS 'Dance Music' UD006: VARIOUS 'Hoisting The Black Flag' UD007: LEMON KITTENS 'Cake Beast' UD008: NURSE WITH WOUND 'Insect And Individual Silenced' UD009: THE 150 MURDEROUS PASSIONS UD010: MUSIQUE CONCRET 'Bringing Up Baby' UD011: OPERATING THEATRE 'Rapid Eye Movement' UD012: VARIOUS 'An Afflicted Man's Musica Box' UD013: NURSE WITH WOUND 'Homotopy To Marie' All releases are LPs except UD007.

UNLIKELY RECORDS: With the slogan 'You don't know what you'll like until you hear it' Unlikely have released a series of tapes. 'Real Time', featuring unknown bands from all over the country. Not everything is likeable, of course, as mentor Robert Cox admits: "I don't like everything on RT but I try to put things of merit/value/curiosity on the tapes. In that context it works. Over the five releases tracks of interesting value have come to light for unorthodox approach or even just downright inventiveness. Real Time 1 featured Part Form from Liverpool who deserve further investigation and E.G. Oblique Graph (see also Muslimgauze), UV Pop from Sheffield, Attrition (see Attrition) and Sirius B (see Sirius B) have all been on subsequent releases. The most cohesive selection, though, must be side two of Real Time 4 which features the intriguing Ffuts from London, Jung Analysts and Push- Button Pleasure from Ipswich, Paul Kelday from West Sussex, Syd Nairda who is like Morricone gone electronic and a contribution from Cox himself. Real Time tapes are available from Unlikely Records, 42, Haven Close, Felixstowe, Suffolk.

URBAN SAX: Founded in France in 1973 by Gilbert Artman, Urban Sax have grown to 50 performers - approximately 35 saxophonist accompanied by gongs, vibraphones, chorus and dancers. Two LPs on the French Cobra label have been released and display a dirge like soundscape which gradually changes as it progresses. The most acceptable way to take Urban Sax though is in a live environment. The performers are clad in black or white outfits with metallic or polythene skins and insectile helmets. Splitting into various mobile groups they overflow normal concert environments using the space around gradually leading the audience towards one central point. Having appeared at numerous festivals and events in Europe they will be making their first British appearance at (or around) the Theatre Royal, Bath on the 8th of June. 'The saxophones of the apocalypse' 'Some ritualistic celebration from a civilisation lost or not yet known'. Contact: Roxana Knight, 121, Richmond Avenue, London, N10.

VAN KAYE AND IGNIT: (Arnhem, Holland) A trio comprising of Ed Van Kasteren (Van Kaye), Ignit (Ignit) and William Wiusselink (Wizzkopf). Van Kaye started singing in the Monomen in 1977 and recorded an LP which never saw the light of day. At the end of 1980 he began working with synthesisers and developing extreme sounds. Joined by Ignit, who had previously worked in the field of art and performance, they recorded and released 'A Slight Delay' through their own Ding Dong Discs label (see Ding Dong Discs). Another ex-Monoman, Wizzkopf, later joined after releasing a 10" EP by Mathilde Santing on his own 1,000 Idiots label - now available through WEA. VK&I have also contributed to various compilation tapes in their very personal commercial style of electronic music. Recommended: 'A Slight Delay' (Ding Dong Discs) cassette, 'Picasso's On The Wall' (Ding Dong Discs) EP

VELVET UNDERGROUND: Maybe not 'experimental' but always innovative and attempting to re-route the rock traditions. As influential to new outfits, as was punk, in their ability to open the doors for others to try new things. When Lou Reed's contract with RCA was almost up his double album departure, the tongue in cheek, 'Metal Machine Music' may have been a joke but it influenced a new generation of noise makers. Check out the Velvet's 'And So On', 'Etc' Plastic Inevitable LP's and the box set 'Everything You've Ever Heard About...' for trailers of tape loops and less mainstream material.

CYRILLE VERDEAUX: Former leader of Clearlight, Verdeaux has managed to use his classical roots with the latest technology to produce some eloquent music. Still touching on his roots and employing a grand piano to the full he has also been involved in a collaboration with Bernard Xolotl. Two cassette LP's, 'Offrandes' and 'Nocturne Digitales' can be obtained from Mirage (see Mirage).

VICE VERSA: Mentioned as sending tapes of their early demos to Throbbing Gristle in Industrial News 3. Their fusion of drum-machine driven electronics and northern soul as displayed on their Futurama appearance was exciting and inviting but they chose to trade In their credibility for shiny suits and a career in ABC. An EP was available on their own label, Neutron, but was too tongue in cheek to be serious.

VIDEO: A lot of the more experimental groups have started to become involved in the production of videos. Future products are scheduled from Portion Control, SPK, Nocturnal Emissions and Chris And Cosey and some material is already available. Companies Twin Vision and Doublevision have already begun to build up their catalogues and as an experimental visual media it will undoubtedly be much used in coming years.

VOX: Magazine compiled and thoughtfully put together by Dave Clifford (449A, South Circular Road, Rialto, Dublin 8, Ireland) which, as well a providing a healthy guide to the Irish scene, has featured numerous experimental and avant-garde luminaries. Past issues, a mere 45p each, have featured TG, Gilbert And Lewis, Nocturnal Emissions, Eyeless In Gaza, Lemon Kittens, Virgin Prunes and many others. Essential reading.

WE BE ECHO: Set up by ex-Third Door From The Left man Kevin Thorne when that outfit split up. New material takes more risks and is ultimately more fulfilling with more depth and structure. A cassette LP is in the process of being put together and should appear on Cause For Concern (see CFC) In the near future. Kevin has also been involved in the recording of the next Chris And Cosey LP.

WHITEHOUSE: Leaders in the field of power electronics and mainstays of the Come Organisation. (see Power Electronics).

WIRE: Caught up in the first - and most effective and important - wave of punk, Wire were always on the edge. Their dabblings in unorthodox song construction - note their new Rough Trade single, 'Crazy About Love', taken from a Peel session in 1979 - resulting in their demise and eventual collapse due to the public's refusal to accept their new direction. Robert Gotobed seems to have disappeared, Colin Newman carried on in more commercial vein while Gilbert and Lewis pushed themselves to new boundaries in Dome and now Duet Emmo.

DR WIZE: In fact the versatile Dennis Weisse who is featured on the Eurock compilation of American music. Varying from almost ethnic soirees with kalimbas to more contemporary synth dance music (see Eurock).

BERNARD XOLOTL: Straddling the uncomfortable line of being almost cosmic, Xolotl manages to come up with a strange hybrid of classical and electronic music with his mixing of synthesisers and traditional string instruments. He has two cassette LP's available through Mirage (see Mirage) and a collaboration with Cyrille Verdeaux.

YOU'VE GOT FOETUS ON YOUR BREATH: The brainchild of Jim Thirwell, aka Frank Want, whose mutant reading of music has been displayed in numerous formats as Foetus Under Glass, Foetus Over Frisco, You've Got Foetus..., Philips and His Foetus Vibrations, Foetus In Your Bed and the soon to be revealed Foetus On The Beach. The multi-faceted talent which is cocooned within the Self-Immolation label has produced some diverse and occasionally 'rock' based music without ever being predictable. Foetus are true heroes of the non-image image and with the current attention of Stevo (a rumour) you should be hearing a lot more about them all.

Z'EV: Percussionist and performance artist who specialises in found and assembled pieces of metal. Beginning his work in 1978 he finally made Britain on the Fetish night at the Lyceum in 1981 where he stunned the assembled multitude by crashing numerous metal sheets across a miked up stage. A single and video were released on Fetish and the video is about to be re-released on Cabaret Voltaire's Doublevision label. An excentric character Z'EV has also been involved in various written projects but his work with noise is his most outlandish and exciting facet. The video sees him beating hell out of pieces of metal in what seems to be a tacky club, you'd never get it at the Camden Palace but I'd like to see Rusty Egan drum along with it if you did.


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SELECTED DISCOGRAPHY
(or a good place to start)

VARIOUS 'Rising From the Red Sand' (Third Mind)
VARIOUS 'Sudden Surge of Power' (Cause For Concern)
VARIOUS 'Germany' (Datenverarbeitung)
VARIOUS 'Flowmotion' (Flowmotion)
VARIOUS 'An Afflicted Man's Musica Box' (United Dairies)
VARIOUS 'An American Compilation' (Eurock)
VARIOUS 'Sudden Departure' (Recloose)


There will be a sporadic news/reviews section featured in Sounds which will concentrate on bands featured in this listing plus articles on several of the acts. Thanks to the following for their help and enthusiasm without whom this would have been impossible; Edward Ka Spel, Steve Stapleton, Gary Levermore, Graeme from SPK, Nigel Ayers, Martin Reed, Dave Elliot, Ian Dobson, Dave Farmer, Chris And Cosey, Portion Control, Pat Bermingham, Ptose Production, DDAA, Ignit, Vittore Baroni, Andreas Muller, Test Department, DIA, Larry Peterson, Dan Landin, Selektion, Touch, Dave Farmer, Kevin Thorne, Dominik, Lustmord, the Recloose Organisation and everyone else who wrote and contributed.